A Quote by Charles R. Morris
merica was middle-class for the very start - the people who came first were hyper-strivers from England. There were no vested interests, no ranks, no classes, it was very lightly populated, there were unlimited natural resources - for free essentially - if you failed, you could always start over.
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The biggest start-up successes - from Henry Ford to Bill Gates to Mark Zuckerberg - were pioneered by people from solidly middle-class backgrounds. These founders were not wealthy when they began. They were hungry for success, but knew they had a solid support system to fall back on if they failed.
By the grace of God, my parents were fantastic. We were a very normal family, and we have had a very middle-class Indian upbringing. We were never made to realise who we were or that my father and mother were huge stars - it was a very normal house, and I'd like my daughter to have the same thing.
In the Communist period, the revolutionaries, the leaders were almost always - Che Guevara, people like that - they were always from the middle class and the educated. And empathy is a very powerful emotion.
When I came to Berkeley, I met all these Nobel laureates and I got to know that they were regular people. They were very smart and very motivated and worked very hard, but they were still humans, whereas before they were kind of mythical creatures to me.
What a terrible thing could be freedom. Trees were free when they were uprooted by the wind; ships were free when they were torn from their moorings; men were free when they were cast out of their homes—free to starve, free to perish of cold and hunger.
In the '70s, the newspaper guild managed to get people paid what they were worth, but the reporters suddenly became middle class. It's much more respectable, more uptight, and everyone speaks in guarded tones. And the writing isn't as good. We always had guys who were failed poets and failed novelists who did it to eat.
Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
'Middle class' used to be synonymous with secure, with steady, with boring, because middle-class people were people who were pretty much safe from the time they first started work on through retirement and until their deaths. No longer.
The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.
In middle school, I started to draw, and my pencil sketches were huge. They were these 4ft by 3ft drawings, and I got a lot of attention for that, so that was very validating. But I didn't start cartooning until I was in college.
They were a wonderful set of burglars, the people who were running San Francisco when I first came to town in 1923, wonderful because, if they were stealing, they were doing it with class and style.
I had a very easy middle class upbringing and never had to worry about anything. But my parents came from nothing and from broken homes, and their stories were always very interesting.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
People began to understand that with the acquisition of California the nation had obtained practically half a continent, of which the future possibilities were almost unlimited, so far as the development of natural resources and the genera production of wealth were concerned.
I was in a comfortable situation, I was on tour, it was cool, but it wasn't at all what I wanted to do. So I had to leave it, start over. My friends were like, 'You were doing something, now you're back at day one.' So people kind of look at you different when you start over. Everyone needs to challenge themselves like that.
The Police, they were the guys that were like the gateway to the mainstream. In England, there was a very strong reggae movement that was going on. Anything that was happening in reggae happened out of England. They were brilliant. They could spot a sound that was cool, the 'it' sound.
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