A Quote by Charles R. Swindoll

More often than not, when something looks like it's the absolute end, it is really the beginning. — © Charles R. Swindoll
More often than not, when something looks like it's the absolute end, it is really the beginning.
Have you ever noticed when you look in a mirror, unless you're really depressed or something, the person in the mirror generally looks a little more competent, a little more curious, a little more intelligent than you actually feel yourself to be? They often look more interesting and more soulful.
Have you ever noticed when you look in a mirror, unless youre really depressed or something, the person in the mirror generally looks a little more competent, a little more curious, a little more intelligent than you actually feel yourself to be? They often look more interesting and more soulful.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
So many people think being single is the end of something, but it's really a beginning - a good beginning.
Often when you think you're at the end of something, you're at the beginning of something else.
This isn't the end, and a beginning looks different. This is the moment in between, when everything still looks possible.
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
More than an end to war, we want an end to the beginning of all wars - yes, an end to this brutal, inhuman and thoroughly impractical method of settling the differences between governments.
Writing a TV show is totally different than writing features, or just, what I started doing is writing features. You write a little bit more organically. You start from the beginning to the end, beginning, middle and end.
Mary Stuart wrote, 'My end is in my beginning.' It is easier to agree with her than to decide what is the beginning, and what is the end.
I find I often just fall into a stone-like sleep, right in the middle of the day, just sort of clonk. I can't work for extended periods when I'm beginning something. But if I'm at the end of something, I can work on for hours and hours and hours.
The unknown is very appealing to me. I like to be surprised. I love the idea I might know less at the end of reading something than I do at the beginning.
Often the 'lead' of a classical song will have something really cool to its melody that - even though it might be a violin or something doing it in the song - I end up wanting to try something like that with my voice.
I'm really sensitive to the beginning of a motif or a phrase or something that's kind of the backbone or becomes kind of the spine that you grow muscle tissue onto. You know from that, if you have that good beginning, it's like everything that grows off it often has potential. Maybe I'm good at that early bit of recognition of pieces of potential. I'm not sure.
There's nothing worse than trying to patch something or make do. If there wasn't something there in the beginning, it won't be there at the end.
What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.
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