A Quote by Charles Ray
Sometimes in a sculpture, it's interesting to me what's stylized and what's natural and how those forms interrelate, as they interrelate in ourselves.
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Sometimes I feel a bit socially disconnected in terms of being a little bit gullible about how people interrelate emotionally.
every issue that we deal with in this country has a moral component to it. And so, to divorce a moral component to the debt burden we're leaving the next generation, the tax structure to how we spend our money in Washington, and how we - you know, how we value human life - I mean, all of those things, to me interrelate. They're not - they're not separate issues.
Somatic Exercises can change how we live our lives, how we believe that our minds and bodies interrelate, how powerful we think we are in controlling our lives, and how responsible we should be in taking care of our total being.
One of the primary services the arts can render to theology is their integrative power, their ability to interrelate the intellect with the other facets of our human makeup.
The way a child discovers the world constantly replicates the way science began. You start to notice what's around you, and you get very curious about how things work. How things interrelate. It's as simple as seeing a bug that intrigues you. You want to know where it goes at night; who its friends are; what it eats.
How should the best parts of psychology and economics interrelate in an enlightened economist's mind?... I think that these behavioral economics...or economists are probably the ones that are bending them in the correct direction. I don't think it's going to be that hard to bend economics a little to accommodate what's right in psychology.
I'm involved in everything from highly progressive lighting systems to airline interiors. In the field of transportation I can go from the micro to the macro: architecture, transportation, industrial product design, right across the board. It's Russian dollism, because they all interrelate: one goes into the other.
We talk about characters in literature as though they were built on the model of the real person, but then I often think that the way we present ourselves as real people is based heavily on the way literary psychologies are stylized, and I wonder how the two forms of realistic personhood feed on or fulfill each other.
What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by.
I had a natural feeling for sculpture, and the nudes are my sculpture.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
I’m interested in natural growth patterns, and the beautiful forms that only nature creates. How that flows through me and how that comes out is what I’m trying to understand.
My dream is to be a character in a Wes Anderson movie. I just love how interesting and eclectic and stylized his characters are, and I would love to dive into that world.
So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.
I've been creating in some capacity forever. It was always usually painting and drawing, but I've been exploring more video and sculpture in recent years. But they're all kind of the same thing to me, in a way. They're all forms of production and output. As a creative person, sometimes you can't live without creating or producing something.
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