A Quote by Charles Ray

I wasn't the class nerd, but I was weird. I could tell long stories and be funny, but I couldn't do sports. And I was always terrified of being held back. — © Charles Ray
I wasn't the class nerd, but I was weird. I could tell long stories and be funny, but I couldn't do sports. And I was always terrified of being held back.
If you're a nerd, just be a nerd. That's way better than a nerd who's trying to be a hipster. And if you are going to tell jokes, don't direct them at other people. Not only is it not funny, but it's also mean.
I have mostly been terrified of listening to scary stories around a campfire. We camp a lot as a family, and at night my dad would try and tell us scary stories. This made eating s'mores difficult. The story would start with something like... 'and the old man who lived in these woods...' I would then run back into the camper terrified.
A geek is like a dork. Someone who’s on the fringe, who you wouldn’t want to hang out with. A nerd is someone too weird and smart to fit in with the masses. Like me.” “You’re not a nerd!” “It’s okay. I know who I am. I consider it a compliment. I like when people tell me I’m weird.” I cram four Cheez Doodles into my mouth. “I mean, why be normal?
I do all kinds of roles - nerd, psycho, nerd, psycho, nerd, psycho - and occasionally someone kind of normal. It's weird, when I lived in Austin I was always cast as pretty normal people. But when I moved to Los Angeles I was immediately branded a psycho
I do all kinds of roles - nerd, psycho, nerd, psycho, nerd, psycho - and occasionally someone kind of normal. It's weird, when I lived in Austin I was always cast as pretty normal people. But when I moved to Los Angeles I was immediately branded a psycho.
Just be funny. Funny always goes over well, so try to think of something funny to break the ice rather than being weird or using pickup lines.
In the first batch of readers, back in the '60s and '70s, the criminal class was still literate, so I would get letters from people in prison; they thought that I was somebody whom they could shop-talk with, and they would tell me very funny stories. I got a lot of those. Guys who were going to wind up doing 10 to 15 for bank robbery, yes, were reading my books.
Nerd. Geek. Used to be if you self-identified that way, you'd get thrown into a locker and never have sex. Or worse, whatever that is. But to me and more and more people I know, being a nerd or a geek means having passion, power, intelligence. Being a nerd just means there is something in the world that you care deeply about—be it twelve-sided dice, a favorite sports team, your new laptop or Night Rider.
I figured if I could put together being funny about stuff and actual events, maybe I could do something that wasn't being done much. Because the reporters that I met out there were funny, and they had hilarious stories that just didn't fit in the AP/UPI/New York Times foreign-correspondent style. They couldn't use the things they had. But I could.
What I usually do is tell funny stories from the road, many of which are, of course, unprintable. But I don't actually have a joke. I don't tell jokes much. I tell little stories.
When I discovered that I could write music, it felt like the most natural way for me to connect with people and tell my stories. I've always thought of that as what I do: I tell stories.
I think I always was a bit of a class clown, but I don't know how successful I was at that. I always think, when I read about people being class clowns, I imagine them being actually very funny, and I don't know that I was. But I tried to be, I think.
I'm a weird dichotomy of nerd, sports fan, and musical theater, so I'd love to do a superhero musical on Broadway. But all the good superheroes are claimed.
I don't watch sports through the eyes of a stats nerd or an anger monger. I truly love stories and characters and the flash and the sexiness of it all.
Being a nerd is not always a bad thing. It's actually cool to be a nerd.
Of course, an English aristocrat might have some contact with the staff downstairs and could adequately say a thing or two about inter-class dramas unfolding in the household. But something less parochial might be harder to come by. This is relevant because stories about the divisiveness of class are by definition stories that straddle class boundaries. A story about a miner in a mining town is not obviously one that speaks to the divisiveness of class. In other words, class doesn't just divide us in the world but it also divides us in the stories we're presented.
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