A Quote by Charles Ray

Boat building is intellectual - everything has a reason. In sculpture, it has a direction. — © Charles Ray
Boat building is intellectual - everything has a reason. In sculpture, it has a direction.
Let us together create the new building of the future, which will be everything in one form: architecture and sculpture and painting.
Sculpture is an art of the open air... I would rather have a piece of my sculpture put in a landscape, almost any landscape, than in, or on, the most beautiful building I know.
At a certain point, I just put the building and the art impulse together. I decided that building was a legitimate way to make sculpture.
Marketing today is much more like sailing than driving. Your boat is the brand. If you point your boat in the right direction, follow the winds/currents, and steer, you will get the boat to go where you want it. Marketers should become the wind, but accept that they’re at the mercy of the currents and weather
Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
In Giacometti's work, the armature has once again become the life-line of the sculpture, and also, he's brought back to sculpture a nervous sensitivity which the 'pure carving' side of sculpture can lose sight of altogether.
In Shankaracharya we saw tremendous intellectual power, throwing the scorching light of reason upon everything.
There is one way that architecture is superior to sculpture, and that is scale. You can walk into a building and have it all around you.
This building is like a book. Its architecture is the binding, its text is in the glass and sculpture.
Man is really not freeing many aspects. He is dependent on his social circumstances, but he is free in his thinking, and here is the point of origin of sculpture. For me the formation of the thought is already sculpture. The thought is sculpture.
Everything on a boat has a different name than it would have if it weren't on a boat. Either this is ancient seafaring tradition or it's how people who mess around with boats try to impress the rest of us who actually finished college.
I came from an intellectual Parisian family. My father was a watchmaker; my mother was a housewife. We discussed politics, art, sculpture - never fashion.
Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.
Rowing harder doesn't help if the boat is headed in the wrong direction.
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