A Quote by Charles Ray

Work is rich. It can be looked at psychologically or philosophically or personally. The interpretive nature of work is different than the work itself. The interpretation of work isn't the key to understanding it. I'm worried about making a good sculpture. I'm not so worried about the interpretation of it.
I'm not worried too much about left, right spectrum; I'm worried about what's actually going to work to help Canadians who are worried about their own jobs, about their kids' jobs.
When I get in there, I'm not really worried about scoring. I'm just worried about playing as hard defense as I can play, making my opponent work, and then I know the offensive end will open up for me. I've been a scorer all my life, so that's what I try to pride myself on. It feels good.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
Acting I never worried about, but it's so strange that on-camera work is so much more technical than theatre work, which I would have never thought in a million years.
When I wake up in the morning, I'm not worried about nobody. When I go to work, I'm not worried. That's not me trying to say how tough I am, but that's just what it is. I have no fear.
I'm very much a hypochondriac, worried about dying, and not having enough time to work with the people I want to work with and being fulfilled as an actor.
Artists should be free to create what we want. I believe there's a special value in work that is a reflection of oneself as opposed to interpretation. When I see a film or a TV show about black people not written by someone who's black, it's an interpretation of that life.
When you're out of work and you can't buy a home or you've lost your home and you're worried about paying your bills, then you become more worried about what other folks are doing. And sometimes that organizes itself around kind of a tribal attitude, and issues of race become more prominent.
Jon Gruden just wants you to come to work, work hard and produce on Sundays. He's not really too much worried about babysitting or holding somebody's hand.
The problem of making artists talk about their work is that when they're making their work the left-brain is shut off. So if you talk to an artist about it, you're talking to someone who wasn't there. It's hopeless. And also it's insulting. It's implying that the work is not an adequate account of itself. To me, the greatest artists are almost entirely non-verbal.
Theater is about interpretation and what an actor and what a director brings to a piece too. I'm open to it every time I work with a director and a group of actors. I have to be open to that interpretation. I'm not one of those hysterical playwrights that come and say, "This is not what I intended to do." It's one rendition of the piece.
I'm extremely worried. I'm worried about the survival of our species, worried about what we're doing, worried about being Americans, worried about depletion of resources. On the other hand, we are trying. We are trying to understand our impact on the environment.
You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.
Find the autonomy in your work. Autonomy is key to feeling good about the work you do, no matter what kind of work it is.
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