A Quote by Charles Rosin

I can't criticize what I don't understand. If you want to call this art, you've got the benefit of all my doubts. — © Charles Rosin
I can't criticize what I don't understand. If you want to call this art, you've got the benefit of all my doubts.
I can criticize your religion all I want, and you can criticize mine. I don't like this whole climate of, 'You can't ever say anything bad about the group I'm in, cause every group is untouchable.' We can all criticize each other and engage in debate all we want.
If people want to criticize a performance, that I understand. I think that's important.
I’m a Muslim, we come from a Muslim community and we are very critical of western or American foreign policy. So if I’ve got the right and if other Muslims have got the right to criticize… likewise everyone else has also got the right to criticize everything else.
We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don't completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.
First we have to understand what doubts and fears are, how anxiety and doubts and fears come about. They are a psychic disease.
And luckily, for whatever reason, I've found people who are interested in living with and owning and existing around the DNA of my mind, which is my visual work. I've found collectors who are willing to put money down to live with my work. So I can't criticize the whole mechanism. But I can criticize it as an artist, in spite of the fact that I benefit from it. And there are problems with it.
One of the basic things we should avoid is to criticize others. Better to criticize yourself. Criticize yourself, criticize your brothers and sisters, criticize your country, criticize all the habits you have and laugh at yourself, is the best way. If you know how to laugh at yourself then you will not object or will not stand in the way of any creativity of another person.
I don`t know if this is good politics or bad politics to criticize Trump, but you`ve got to call out, just like people in communities when people say racist things and feel it`s OK now to be a sexist or a racist or a misogynist or a bigot, individuals have to call them out, I have to call them out when I see it. You have to call out this president when he engages, when he hires somebody that makes people even more uncomfortable. I mean, it`s not a difference in policy. People in this country, the fear levels are higher than I can ever remember.
Of course I will look at anything, but I have not got the time or the patience to keep on looking at art that I know could be better. I don't want art that needs fixing, I want art that sends me back to the studio to fix my own.
It's not the journalists; it's the critics that I can't understand. I've never understood what kind of a person would want to criticize someone else's work.
They criticize the silent ones. They criticize the talkative ones. They criticize the moderate ones. There is no one in the world who escapes criticism.
I'm not really well educated - other than an art survey course at the High School of Art and Design in New York when I was, like, 15. I don't know the history of art, but I got over intimidation from the art world when I realized that I was allowed to feel whatever I want and like whatever I want.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
I teach art at a famous art school, and yet I don't have really the least notion what post-modernism means, but we have people in the letters and science department that understand it quite well and the students go there if they want to understand what this term that is being bandied about is all about, but I've never understood it.
Call it loyalty, call it what you want, but I suppose I've got people up here who I'm really tight with, we've made a lot of great bonds over the last few years and I've got people in my corner I can trust.
Realistic, naturalistic art had dissembled the medium, using art to conceal art; Modernism used art to call attention to art.
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