A Quote by Charles Roven
The parts of Shaggy, Daphne, Freddie and Velma played by Linda Cardellini are all iconic and not really personality-driven, so it doesn't really matter who plays those roles, ... But it is true that Matthew nailed it.
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I've always played different kinds of roles, and I probably played more vulnerable parts when I was really young.
Eric Clapton was such a great player. He sounds like he's Freddie King or someone like that. He plays the roots of blues and Delta blues. He really affected me with the way that he plays, because he never really plays that many notes.
I knew Linda Cardellini from when we did ER together - she was always great, such a cool spirit.
'[email protected]' is really, really dope. I'm really proud of it, and I really love the role of Hawk. It's arguably one of my favorite roles I've played.
Everyone says villains are thankless parts, but those are really the best roles.
Although I’ve played a wide variety of roles, I’ve never had the chance to act in a story written specially for me. It’s a pity as they are the only stories that really let you reveal your personality.
Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.
Sometimes guns really matter. Protecting those who need protection - children, women, minorities in rough parts of town, old folks living in places where cops aren't nearby. Guns are true empowerment for the powerless.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that.
I haven't always played nice guys. In 'Gremlins,' I was a conceited, pompous braggart, and I was a redneck chauvinist in the TV movie 'A Matter of Sex.' But I really prefer sympathetic roles.
I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.
When you're a woman in your 40s, it's not the best time to do films, because there really aren't that many roles. Then you reach 50 and there are more roles again. Mother parts.
I have played some wonderful leading roles on stage and had the whole 'China Beach' years where I really played a leading man on that. That was a fun change for a character actor. But I'm perfectly happy going back to building my gallery of memorable character roles.
Matthew Davidson is blessed with a God-given, born-in-the-bone, talent. His musicianship is far beyond his age. When I play with Matthew, it's like playing with a musician with many years of experience. Always a perfect gentleman, Matthew's personality shines through in every performance. He obviously loves what he is doing!
I spent so many years of my life as a stage actor and when you do all these plays, a lot of really great plays are very politically driven. They deal with deep social issues, and that's the kind of stuff that I love, as an audience member.
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