A Quote by Charles S. Dutton

First of all, you look at Rocky films now, and if that isn't a cartoon series there isn't any cartoon series. I mean there's no way anybody is going to take that amount of punishment in fifteen rounds.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
I actually grew up watching a lot of these cartoons - a lot of the animated series. 'Batman: The Animated Series,' 'Justice League,' all the stuff that would come onto Cartoon Network.
I can't look at TV without seeing something that's been influenced by rap. Even commercials for cereal. When I was small, I was a fan of cartoon characters - now the cartoon characters are rapping!
I have been brought up watching the 'Rocky' series and 'First Blood' series. I am obviously a big fan of Sylvester Stallone.
Saturday morning cartoons do that now, where they develop the toy and then draw the cartoon around it, and the result is the cartoon is a commercial for the toy and the toy is a commercial for the cartoon. The same thing's happening now in comic strips; it's just another way to get the competitive edge. You saturate all the different markets and allow each other to advertise the other, and it's the best of all possible worlds. You can see the financial incentive to work that way. I just think it's to the detriment of integrity in comic strip art.
I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young - most kids colored in coloring books, but I made money off coloring books.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
My very first professional job was a cartoon, doing voices for the Mr. T cartoon in high school.
Tick is a cartoon character, I don't know if you're familiar with him. This is the third step in his evolution. Comic book to cartoon to, now, live-action.
Back in the late '90s, a writer named Daniel Handler decided that kids books were too cheerful. I mean, all the "Harry Potter" series did was occasionally kill off major characters. Thus was born "A Series Of Unfortunate Events" and its mysterious author, Lemony Snicket. "A Series Of Unfortunate Events" is now a great new series on Netflix.
I don't think it's so important to be a movie director. It's a beautiful profession, but no more than to be a cartoon writer. A very rich cartoon writer. I've done a lot of films, and I know deeply that, in all of cinema, there is no director who is as good as Shakespeare.
Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw.
I don't know why there hasn't been a 'Spy Kids' cartoon. You have to bring that up to Robert Rodriguez and see what he has to say. That would be an interesting thing to do with this series.
For me, I think 'Jem' fans were expecting a remake of the cartoon, and the movie really is inspired by the cartoon based in a 2015, modern-day setting. It is going to be very different, but it's also going to be very familiar as well.
The fact is that the amount of money startups raise in their seed and Series A rounds is inversely correlated with success
This site uses cookies to ensure you get the best experience. More info...
Got it!