A Quote by Charles Saatchi
I liked working in advertising, but don't believe my taste in art, such as it is, was entirely formed by TV commercials. And I don't feel especially conflicted enjoying a Mantegna one day, a Carl Andre the next day and a brash student work the next.
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All the criticism and all of the praise, it doesn't - it's not worth the salt that goes on my bread, because TV is fickle. You can be loved one day and hated the next day. One day, you're getting an award. And the next day, you're getting a death threat.
Grief, as I read somewhere once, is a lazy Susan. One day it is heavy and underwater, and the next day it spins and stops at loud and rageful, and the next day at wounded keening, and the next day numbness, silence.
One day I think it's the greatest idea ever that I'm working on. The next day I think it's the worst that I've ever worked on - and I swing between that a lot. Some days I'm very happy with what I'm doing, and the next day I am desperate - it's not working out!
The first time I was in the ring, I wasn't good at it, and I honestly thought, 'Maybe this isn't for me.' Then I went back the next day and the next day and the next day... because I loved it more than anything.
One day, I'll be listening to a bunch of Ray Charles, the next day it's nothing but Red Hot Chili Peppers. The next day it might be Tupac all day.
Your thoughts and beliefs of the past have created this moment, and all the moments up to this moment. What you are now choosing to believe and think and say will create the next moment and the next day and the next month and the next year.
If you forge a Carl Andre, it's just another Carl Andre. It's not like a Vermeer.
I wanted to be one of these multidisciplinary critics who is doing music one day, TV the next, and books the next.
I really don't like splitting my workouts into lower body one day, upper body the next day - that makes me I feel like I'm working out every day, and I feel like I'm more tired during the season than I need to be.
Twitter is the perfect complement to television. TV has always been social. You talk to the person you're sitting next to on the couch. You talk to the people you're - you know, at work with the next day around the proverbial water cooler.
Music is fulfilling. The next day you
feel better. Drugs, the next day you feel
terrible -- unless you have more drugs.
If we have a good day and we win, I'll celebrate and enjoy it. If I have a bad day and I lose, I'll be disappointed and then come back the next day and think about the next team.
I'm sure if I continue to do my work maybe good things will come in the future but for me the most important thing is always the next day, the next training and the next match.
We live in the Age of the Next New Thing; we're assaulted day and night by tastemakers telling us what the next hit will be, the next style, the next cool.
I think any time you put in a lot of work and you're trying to believe in a process, be dedicated to that one-percent-better mentality, you need to understand you may not see the fruit to your labor tomorrow or the next day or the next week.
In Mexico, we call it 'terco': the guy who goes out every day, and every day they tell him no, and the next day he's there, and the next day he's there. That's the kind of people who make movies in Mexico.
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