A Quote by Charles Shaar Murray

Drummond is many things, and one of those things is a magician. (...) Art is magic, and so is pop. Bill Drummond is a cultural magician, and 45 is his logbook. Shelve alongside Brian Eno's A Year With Swollen Appendices. Hail Discordia !
The greatness and efficacy of a magician is measured by his refusal to use magic. The true magician, the greatest, is the poorest and most unfortunate of all mortals. Because between his magic and his person forgetfulness takes shape, in the form of the world.
For me, I think Andre Drummond is going to be a superstar. We didn't have that. We had a lot of very good players. I think Drummond will be a superstar if he continues to work. The media, everyone is behind him.
Ah, that shows you the power of music, that magician of magician, who lifts his wand and says his mysterious word and all things real pass away and the phantoms of your mind walk before you clothed in flesh.
But magic, like everything else, follows certain natural laws. Magic needs energy wherever it can find it. If no other source of energy is available, it will take the life force of the magician who created it. That is why every use of magic weakens the magician.
Before one can become a magician he must learn to control his own mind; for mind is the substance with which the magician acts, and the power to control it is the beginning of magic.
When you're learning how to do magic, the first rule is 'never reveal a secret.' In a way, by telling someone I'm a magician, it kind of gives away the best secret of all... How interesting to take the magician out of the equation of a magic show.
To obfuscate the reconstruction of the effect - when a magician is fooled by another magician doing magic. In my career that's not been the major passion, but it's been the passion of a number of my mentors. The crowning achievement for them would be to create magic good enough to fool other magicians.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
Can a magician kill a man by magic?” Lord Wellington asked Strange. Strange frowned. He seemed to dislike the question. “I suppose a magician might,” he admitted, “but a gentleman never would.
It's very exciting to take magic into a new direction, whereas a lot of times magic comes from a place of sort of ego, like, 'Look what I can do that you can't do.' It kind of comes across that way a lot, and you're always trying to challenge the magician; you're always trying to figure out how the magician is doing it.
I have no doubt there are magician psychopaths, and magician serial killers. I doubt Brakebills admissions is very good at screening for those.
When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."
Indian street magic tends to be very gory, blood and guts. One trick is for a magician to take a knife and appear to cut his kid's head almost off. The magician then says to the crowd, 'Well I can continue to cut off my son's head or you can all give me some money.' Then he wanders around and takes 10 rupees from everyone and restores his son.
A Magician is not a Magician because he knows tricks, but because he knows Magic - the principles, the fundamentals.
Yet magic is no more than the art of employing consciously invisible means to produce visible effects. Will, love and imagination are magic powers that everyone possesses; and whoever knows how to develop them to their fullest extent is a magician. Magic has but one dogma, namely, that the seen is the measure of the unseen.
For me, there is very little difference between magic and art. To me, the ultimate act of magic is to create something from nothing: It's like when the stage magician pulls the rabbit from the hat.
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