A Quote by Charles Sheffield
Sometimes I think about dying. And then I wonder about going to hell. And then I think that if and when I go there, the place will be completely organized and run by lost souls, with a council and a works committee and an ethics panel, and I'll feel right at home.
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I think being organized should be in your lifestyle. I run a few different businesses, so I have to be organized. And I think everyone around me will also feel organized. To have chaos going on, it just doesn't work.
I love so much what I do that I spend so much time thinking about it, and then I go home, and then I'm thinking about it, so it's nice sometimes when a movie is over, and then the niggling feelings about whether you've did it right or not start to ebb away.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
It's a long, hard road and it's going to have its bumps; there are going to be times when you fall and times when you don't feel like going on anymore, times when you're just crazy tired but it takes focusing on that one step you're taking. That's what I'm trying to do with the marathon; I don't think about the miles that are coming down the road, I don't think about the mile I'm on right now, I don't think about the miles I've already covered. I think about what I'm doing right now, just being lost in the moment.
It's because I work in ethics, and, more specifically, applied ethics, that I think it's important that if you have things to say that you think are right and you think could make the world a better place, it's important that many people read about them.
Most people think, "Life sucks, and then you die." I disagree. I think life sucks. Then you get cancer. Then you go into chemotherapy. You lose all your hair, you feel bad about yourself. Then all of the sudden the cancer goes into remission, and then all of the sudden you have a stroke. You can't move your right side. And then, maybe, you die.
People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.
If I come across an issue, or something I feel strongly about, and I happen to think of a song that would go in that direction, then I do it. But that's not what I start out, necessarily, to do. Sometimes I may have an idea for a song - "Well, I'm going to write about a thing.
When I was backstage at Comic-Con, about to go out and do the panel for Thor, and Joss Whedon ran up and introduced himself, I already almost passed out, right then. And then, he said, "I've been meaning to call you. You have a big part in The Avengers. Can we introduce you as part of the cast?" It was pretty Make-A-Wish Foundation. I was pretty sure I was dying and nobody had told me yet.
Sometimes there's a lot of tangents because I forget what I'm going to say so much. Sometimes there's very little tangents and stuff for some reason, and then some nights it's all tangents and I can't find my way, and then sometimes I wind up just talking about something completely extemporaneously and then never mention it again ever. It's just completely different.
A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
Sometimes you have to go and do something different. I'll just disappear and write a couple of books, and then go back and do some TV when I've been forgotten about, and people think it's fresh. I see people who suddenly put themselves around everywhere and I think, 'You're going to last for about two years and vanish.'
I think the sexiest thing about a man is that he's confident. Sure, sometimes you meet someone and you see his appearance first, but then you get to know him, and he looks completely different to you. So ultimately I think it's all about chemistry.
I am delighted to be here in these new [Council on Foreign Relations] headquarters. I have been often to, I guess, the mother ship in New York City, but it's good to have an outpost of the Council right here down the street from the State Department. We get a lot of advice from the Council, so this will mean I won't have as far to go to be told what we should be doing and how we should think about the future.
I think some love you can stand to let go of because it's ultimately for the best, but other types you have to stick with until the day you die even when it's hard.You have to think about that before you run away from wherever you are. And then when you know, you either stay or you go and pray thatyou're making the right decision.
A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.
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