A Quote by Charles Soule

I had always thought that I would do something that was connected to music as a career, or possibly Chinese, which was my major. — © Charles Soule
I had always thought that I would do something that was connected to music as a career, or possibly Chinese, which was my major.
My parents always wanted me to do music because they thought it was such a great extracurricular activity but we never thought it was going to be something that would be my career.
I've always thought that each album would be my last one, and then I would be out of ideas and I would move to photography or something. I thought it was transient and it's not because of this entrenched career stubbornness that I've done it for so long, it's just something I enjoy doing, and it's the most direct way I can express something.
We first became conscious of the plane publicly on a Monday. I thought then by the weekend it would be done. But then the Chinese military, the defense minister made a statement saying that if there was no apology from the United States, the Chinese military and the Chinese people would never understand. No reference to the government or the Communist Party, and that obviously presented an internal problem to the Chinese leadership, which was travelling at that moment.
I knew I was always going to be around music. And I actually thought I would be dancing, not a vocal major.
I never really thought comedy was a career option, just something I did for fun. Suddenly I realised I was getting paid which was a bonus. I studied for a diploma with the London College of Music, and teaching was something I thought I might do but comedy intervened.
When you get in the middle of a career and you're successful, people come and offer you things. My biggest fear was that if you try to do something else and you're trying to build your music career, and then you say, "I'm going to go do a movie," and you're terrible, you can really hurt your music career because as a musician, the goal is to be cool. You're playing the guitar and you're in front of all these people and your vibe is to be as cool as you can possibly be.
When I first heard that I had won the prize, I thought that it was something for myself, that it was something personal, recognition of my writings. But there is such a strong reaction from Chinese people in particular. It's been very passionate, overwhelming and passionate, Chinese people from all over the world.
Very early, I thought I would go into music, but I was aware that it would bring a set of obstacles I didn't find particularly attractive. Also, I'm not a great performer! For a while, I thought I would do something in landscape gardening. But it was always fashion for me.
If I changed my name, everyone would have just known that I changed my name. If I had been anonymous, it would have felt pretentious. It would seem like I'm trying to dodge something. I love my family and have such respect for their work, for their career and talents, and I'm very proud to be connected with them.
Music inspires me, and I'm grateful that I've been able to make a career out of something that I'm so connected to.
I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
I wish I could say I had this master plan for a career, but I always thought acting was something I'd just do until I had a hit record.
You have to understand that I never thought I would have a career in music. That kind of thing didn't happen. Not for women, not in Canada, not in the 1960s. It was something I did for fun.
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
Once I'd worked out that I couldn't possibly expect people to enjoy a monstrous, 3000-page book, I realised I could in fact create a labyrinth of a story with four different points of entry. But what interested me was creating something that would rearrange itself every time you read one of the other books. So depending on which order you read them, the implications and angles would change. To get that right, each one of the books had to have its own personality and texture -- even though they are connected, they are very different creatures.
I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?
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