A Quote by Charles Soule
One of the things that's been really fun about my run on 'Swamp Thing' is putting him in all kinds of different locations around the world, and seeing how his exterior foliage changes based on his location.
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Since the foundation of the world man has had nearly all the forces on his side, working with him and for him; his intellect has been stimulated, while that of woman has been abased; he has had the run of the world and all quickening and brightening things, while she has sat in the cinders, and until of late been illumined only by his reflected light.
One thing that has really influenced me with Bowie where I've taken an approach from him is how he changes from album to album and has always modified his sound and his appearance. I think that's an important thing.
I have a lot of rage about things that didn't happen to me, tied up with watching an immigrant, working-class father struggle to make his way through the world - and seeing how society was modeled to keep him in his place.
When Amos Moses was a boy his daddy would use him for alligator bait, tie a rope around his neck and throw him in the swamp.
You are worried about seeing him spend his early years in doing nothing. What! Is it nothing to be happy? Nothing to skip, play and run around all day long? Never in his life will he be so busy again.
The child has a different relation to his environment from ours... the child absorbs it. The things he sees are not just remembered; they form part of his soul. He incarnates in himself all in the world about him that his eyes see and his ears hear.
Growing up in wrestling, I would see my uncle put on his mask before he walked into auditoriums. The kids would run up to him and ask for autographs and pictures, and seeing him lacing up his boots in the locker room and putting on his mask before heading to the ring, that was all so real to me. That was the modern day superhero to me.
The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.
Observe your cat. It is difficult to surprise him. Why? Naturally his superior hearing is part of the answer, but not all of it. He moves well, using his senses fully. He is not preoccupied with irrelevancies. He's not thinking about his job or his image or his income tax. He is putting first things first, principally his physical security. Do likewise.
I will talk about Baker Mayfield. I like everything about his makeup. I like how his teammates really rally behind him. I like his eyes downfield. I like his accuracy with his deep throws. I like how he shows that fighter's spirit; when it comes time to come back, he's fighting through to come back, and I applaud those things.
Every podcast network has a different culture as far as I can tell. How they run things at Nerdist is totally different than how they run things at Earwolf is totally different than All Things Comedy or Maximum Fun or Feral Audio. And it's different if it's independent.
There are so many books I love for different reasons. For superhero stuff, I always go back to Alan Moore's 'Watchmen' or his 'Swamp Thing' run. Those are my two favorites, and there are indie books that I really love, like Eddie Campbell's 'Alec' books and 'From Hell.'
Some of the best actors in the world are very exterior actors, Anthony Hopkins being one of them. He knows exactly how to turn his face to get a certain expression. He knows exactly what to do with eyes, and with his voice. It's very exterior.
Will none of the powers that be realize what Brian Wilson did with the chords. Deftly taking from all sources, old rock, Four Freshman, he got in his records a beautiful hybrid sound - Let Him Run Wild, Don't Worry Baby, I Get Around, Fun, Fun, Fun - 'and she had fun, fun, fun 'till her daddy took her T-bird away.'
I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
He ran as he'd never run before, with neither hope nor despair. He ran because the world was divided into opposites and his side had already been chosen for him, his only choice being whether or not to play his part with heart and courage. He ran because fate had placed him in a position of responsibility and he had accepted the burden. He ran because his self-respect required it. He ran because he loved his friends and this was the only thing he could do to end the madness that was killing and maiming them.
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