A Quote by Charles Soule
It's kind of like when you have guests coming over to your house, and you haven't really picked up in awhile, and you look around and say, 'Wow, my place is kind of a mess, but I never noticed it because it's what I've been living in every day.' That's kind of what Supergirl is to the Red Lanterns.
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In a kind of simple, stupid way, when you walk down a normal city block and you turn around the corner and there's 40 vintage cars and every storefront has been done over to look like 1941, it just kind of blows your mind. It's movie magic.
I was at my house, and me, and my brother, and my sister were kind of just playing around. And I was like, 'I wonder if I can twist this apple and rip it apart?' So I was playing around, and I did it, and I was like, 'Wow, that kind of takes a firm grip.'
When you're on the set, and sometimes, because it's been so complex and the writers have been really writing, sometimes up until the last minute... And you kind of sit back; you separate yourself from your brain, and you say, let me see if you can do this. And that's the kind of challenge I like.
Even in half demon hunter clothes, Clary thought, he looked like the kind of boy who'd come over your house to pick you up for a date and be polite to your parents and nice to your pets. Jace on the other hand, looked like the kind of boy who'd come over your house and burn it down just for kicks.
I have never been political, which for a straight white man that's kind of a byproduct of privilege growing up that I was kind of like, "Who cares who the president is, everything is coming up privilege." But now things are so scary and crazy and I have to say I'm not a fan of Trump at all. I don't agree with him in any way.
I've been doing four-track songs by myself since I was like a teenager, where I'd sing in a way that I ... I just didn't think other people would like it, so I didn't play it for them but eventually I got over that, which I'm happy that I did, because it's kind of a drag to be playing a kind of music that you don't really like as much as another kind.
I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.
When what we see catches us off guard, and when we write it as realistically and openly as possible, it offers hope. You look around and say, Wow, there's that same mockingbird; there's that woman in the red hat again. The woman in the red hat is about hope because she's in it up to her neck, too, yet every day she puts on that crazy red hat and walks to town.
Are you going to be just kind of a walking monument to a job, or are you going to have some kind of really significant inner life of your own? Because the external things the job, the house, the this, the that do not really fill the place inside.
For me, coming to a fashion house and bringing my love and respect to it - and, hopefully, earning the love and respect of the house - is the only way to do it. I think of it as my own house in that sense as well. So I like not working from a blank piece of paper. I like that there's something from the past, some kind of identity that I have to work with. There are these good ghosts around, these good energies that kind of reinforce what you do.
[My House By The Water] is a nice instrumental track. The sound of the water is from the same place where the front photo was taken. I live really close to the airport, so there's also planes going over. It's kind of to remind me of living in there, because I'm not gonna be living in there for very much longer.
A lot of actors lack confidence - even if you're doing really well, you kind of feel like this might be your last job. I enjoy the feeling of, "Maybe I've bitten off more than I can chew," and then working really, really hard and thinking, "Wow, I like that. I did that." Don't get me wrong, I'm not the kind of person who jumps out of planes and enjoys bungee jumping or anything like that, but I definitely enjoy living quite spontaneously and going with the wind.
No matter what went down, music was always going to be a part of my life. What ultimately happened is that, over a period of time, I just kind of looked around and when like, 'Wow! I'm actually making a living doing this.'
I always take kind of a zen view of casting and I really don't remember people who passed. I kind of turn it over to the universe and figure, 'Wow, I guess that wasn't meant to be.' It doesn't sit with me.
I'm so... Honestly, it's been amazing to be a part of this journey on 'Veronica Mars.' Because I started out, really, with a word on the show. So it's kind of fun to look back and be like, 'Wow, I was basically an extra,' but not really - I had a little part.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.
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