A Quote by Charles Spurgeon

Where God takes such pains to teach, we ought to be at pains to learn. — © Charles Spurgeon
Where God takes such pains to teach, we ought to be at pains to learn.
A lot of time, my inspiration comes from pain: growing pains, hunger pains, or money pains.
The honest Man takes Pains, and then enjoys Pleasures; the knave takes Pleasure, and then suffers Pains.
Kripke says that physicalists like me can't explain the 'apparent contingency' of mind-brain identities. He maintains that, if I really believed that pains are C-fibres, then I ought no longer to have any room for the thought that 'they' might come apart. His argument is that, since pains aren't identified via some contingent description, but in terms of how they feel, I have no good way of constructing a possible world, so to speak, where C-fibres are present yet pains absent.
It is not for nothing that artists have called their works the children of their brains and likened the pains of production to the pains of childbirth.
The pains felt by Asian countries are our own pains. Disaster in Asia is nothing but ours as well.
When we become aware that we do not have to escape our pains, but that we can mobilize them into a common search for life, those very pains are transformed from expressions of despair into signs of hope.
The pains of childbirth were altogether different from the enveloping effects of other kinds of pain. These were pains one could follow with one's mind.
Let us, at any rate, give heed to suffer joyfully the crosses that God sends us, because they all, if we are saved, will become for us eternal joys. When infirmities, pains, or any adversities afflict us, let us lift up our eyes to heaven and say, "One day all these pains will have an end, and after them I hope to enjoy God forever."
Our mothers are racked with the pains of our physical birth; we ourselves suffer the longer pains of our spiritual growth.
Them pains, when blues pains grab you, you'll sing the blues right.
The great artist is the man who most obviously succeeds in turning his pains to advantage, in letting suffering deepen his understanding and sensibility, in growing through his pains.
The great artist is the man who most obviously succeeds in turning his pains to advantage, in letting suffering deepens his understanding and sensibility, in growing through his pains.
The rising unto place is laborious, and by pains men come to greater pains; and it is sometimes base, and by indignities men come to dignities.
Suffering invites us to place our hurts in larger hands. In Christ we see God suffering – for us. And calling us to share in God’s suffering love for a hurting world. The small and even overpowering pains of our lives are intimately connected with the greater pains of Christ. Our daily sorrows are anchored in a greater sorrow and therefore a larger hope.
Even while living in the world, the heart of Mary was so filled with motherly tenderness and compassion for men that no-one ever suffered so much for their own pains, as Mary suffered for the pains of her children.
The rising unto place is laborious, and by pains men come to greater pains; and it is sometimes base, and by indignities men come to dignities. The standing is slippery, and the regress is either a downfall, or at least an eclipse.
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