A Quote by Charles Spurgeon

I am certain that the safest way to defend your character is never to say a word about it. — © Charles Spurgeon
I am certain that the safest way to defend your character is never to say a word about it.
I guess there's a certain amount of poking fun at certain characters, but that's because there is something amusing about them or about the way they behave, so I guess you can say that that's poking fun at the character. But the character is your own invention, so who cares?
The reason you keep on coming back to see me is very simple; every time you have seen me your body has learned certain things, even against your desire. And finally your body now needs to come back to me to learn more. Let's say that your body knows that it is going to die, even though you never think about it. So I've been telling your body that I too am going to die and before I do I would like to show our body certain things, things which you cannot give to your body yourself... So let's say then that your body returns to me because I am its friend
You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
If you don’t care about something, one way to demonstrate your feelings is to say the word and then repeat the word with the letters S-C-H-M replacing the first letters. Somebody who didn’t care about dentists, for instance could say ‘Dentist, schmentists.
I'm not experienced enough, or certain enough of my acting on the screen to say to a director, "You are wrong, I am right. I will only do it this way." I could never feel that, I wish I could be absolutely certain. But on the stage, it's different. I know where I am on the stage.
When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.
To terrorize a man into believing in God is never the work of God, but the work of human expediency. If we want to convince a congregation of a certain thing, we may use terror to frighten them into it; but never say that is God's way, it is our way. To call that God's method is a travesty to the character of God.
I never, ever used my son for publicity. He'll have his say one day if he wants it. He'll have the last word. He has time to defend himself.
One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.
Nothing is secure. That is my message. Nothing can be secure, because a secure life will be worse than death. Nothing is certain. Life is full of uncertainties, full of surprises - that is its beauty! You can never come to a moment when you can say, "Now I am certain." When you say you are certain, you simply declare your death, you have committed suicide.
..Washington, where the human rights of terrorists are often given high priority. And I am certain liberal politicians would defend their position to the death. Because everyone knows liberals have never been wrong about anything. You can ask them. Anytime.
We depend on our words... Our task is to communicate experience and ideas to others. We must strive continually to extend the scope of our description, but in such a way that our messages do not thereby lose their objective or unambiguous character... We are suspended in language in such a way that we cannot say what is up and what is down. The word "reality" is also a word, a word which we must learn to use correctly.
Do you know what you're saying when you say, "Whatever"? It's just a code word for the f-word, followed by "you." And at your age, you never, ever. say that to anyone.' " Blaze leaned back. "So now, when someone says it to me, I just say, 'You too.' (72)
When I became King Barrett, the influence I had in the character was taken away. I was told, 'This is your outfit, and here is your promo that you have to say word-for-word.' Any time I tried to tweak the storyline because I thought it wasn't working, or because it wasn't me, I was denied.
For most women, whether you're an actress or whatever you do, there is this pressure in society and within the world to look a certain way, dress a certain way, act a certain way, say certain things, and be this idea as opposed to being a person.
I create each character as an individual, coming from a certain place, sounding a certain way, having been introduced to things a certain way.
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