A Quote by Charles Spurgeon

My grandfather once ventured upon publishing a volume of hymns. I never heard anyone speak in their favour or argue that they ought to have been sung in the congregation. In that volume, he promised a second if the first should prove acceptable. We forgive him the first collection because he did not inflict another.
Pleasing things: finding a large number of tales that one has not read before. Or acquiring the second volume of a tale whose first volume one has enjoyed. But often it is a disappointment.
I took five years on the first volume, five years on the second volume, and ten years on the third volume.
So plain that no one, high or low, ever does mistake it, except in a plainly selfish way; for although volume upon volume is written to prove slavery a very good thing, we never hear of the man who wishes to take the good of it, by being a slave himself.
There are two books laid before us to study, to prevent our falling into error; first, the volume of the Scriptures, which reveal the will of God; then the volume of the Creatures, which express His power.
I recall this passage as the hour of its first fully coming over me that she was a beautiful liberal creature. I had seen her personality in glimpses and gleams, like a song sung in snatches, but now it was before me in a large rosy glow, as if it had been a full volume of sound. I heard the whole of the air, and it was sweet fresh music, which I was often to hum over.(Sir Edmund Orme)
I think that being read to every night is the reason why I was plowing through volume after volume of 'Nancy Drew' books all by myself by the time I reached the first grade. I loved stories. I loved the escape. I had a vivid imagination.
I forgive. First, because I've been forgiven by God. Second, unforgiveness makes me miserable. And third, I'm going to need more forgiveness in the future. So we don't forgive for their benefit. We actually forgive for ours.
Ultimately, application vendors are driven by volume, and volume is favored by the open approach Google is taking. There are so many manufacturers working so hard to distribute Android phones globally that whether you like [Android 4.0] or not, you will want to develop for that platform, and perhaps even first.
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
A pastor should never complain about his congregation, certainly never to other people, but also not to God. A congregation has not been entrusted to him in order that he should become its accuser before God and men.
There is a note in the front of the volume saying that no public reading may be given without first getting the author's permission. It ought to be made much more difficult to do than that.
Regarding R. H. Blyth: The first book in English based on the saijiki is R. H. Blyth's Haiku, published in four volumes from 1949 to 1952. After the first, background volume, the remaining three consist of a collection of Japanese haiku with translations, all organized by season, and within the seasons by traditional categories and about three hundred seasonal topics.
When I was 15, I begged my grandfather to give me this guitar he'd always had in the back of his closet. I promised him I'd learn to play it, but I never did. Then my grandfather died, and I felt so guilty. So I started playing.
My first impression when I heard 'Heaven' was, 'Do not let anyone else have that song! I'm putting it on hold.' I knew it was special from the first time I heard it, and I thought my fans would love it as much as I did.
The second volume of Reiner Stach's epic biography of Franz Kafka . . . [is] a tangle of counter-grained and often under-sourced life stories, but reading Stach's magnificent narrative (wonderfully translated by Shelley Frisch) straight through brings death, not life, to the forefront. Stach is a compulsively readable writer. . . . [A]s in the previous volume, the prose in The Years of Insight is supple and very appealingly complex--all of which, once again, is perfectly rendered by Frisch.
When volume drops off, prices settle down. Volume is the force that turns stocks higher.
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