A Quote by Charles Stross
For someone who is starting out on developing their critical skills, just being aware of its existence is great: it can make the difference between trying to write a story around a cliche or an original idea, and better still, studying it can eventually clue you in on how to breathe new life into tired tropes.
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Any time you add something to your game, you still have to find ways to improve, so I'm still studying the game and trying to find out ways to increase how we use me on the floor. You're not being complacent, not falling back and floating around the perimeter too much, figuring out when to attack. I'm trying to find that balance between attacking and spotting up and things like that.
Do something about your life now. You know you are sick and tired of being sick and tired. Don't just think about it, look at it, and complain about it to whoever will listen. Stop conning yourself into being a volunteer victim, or telling the same old story. You are better than that. It's time to stand up for yourself and your dream. This is the one and only life that you have. Don't waste it watching someone's life - on tv, in a movie, a series or reality show. Take your power back and make a move. Live your life on your terms, and create something new in your life. You Deserve!
Whether you are someone who has been working for many years, or someone just starting down that path, or someone who is still studying, your journey to financial well-being is not far from where you are now.
I was interested in the ways we can write biography. When you're first starting to write about your own life it feels so shapeless because you don't know how to make your own story cohesive. How do I pluck a story out of the entirety of what it means to be alive. It occurred to me recently that when you're telling a story about your own life, rather than taking a chunk, you're kinda like lifting a thread from a loom.
Friends serve central functions for children that parents do not, and they play a critical role in shaping children's social skills and their sense of identity. . . . The difference between a child with close friendships and a child who wants to make friends but is unable to can be the difference between a child who is happy and a child who is distressed in one large area of life.
I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.
Cliche refers to words, commonplace to ideas. Cliche describes the form or the letter, commonplace the substance or spirit. To confuse them is to confuse the thought with the expression of the thought. The cliche is immediately perceivable; the commonplace very often escapes notice if decked out in original dress. There are few examples, in any literature, of new ideas expressed in original form. The most critical mind must often be content with one or the other of these pleasures, only too happy when it is not deprived of both at once, which is not too rarely the case.
Of course, music is still a passion for me, and my new sort of career doing radio is also a passion, but definitely to be able to put a smile on someone's face. Or just waking up every day, trying to figure out how I can change a person's life for the better.
I can start with the idea of taking until you can take off, through the idea that all of my writing foregrounds the idea of how I'm taking from my own life. I'm stealing from my own life in a way, and from the people around me, but in service of getting somewhere else. I'm starting with an autobiographical impulse, to get a better vantage on the circumstances of the life that I happen to be in at the moment and how that life connects to others.
Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
Listen, when you're starting out you're trying to be as creative as possible about how you can use your skills as an actor to make money.
I started studying herbalism and edible plants that existed in the wild. And then I realized, "Okay, cool. I know how to make a fire with sticks and I know how to build a shelter, but I live 90 percent of my life in an urban environment, so these skills aren't really going to help me because there aren't trees that grow in Los Angeles that I can just take a branch and make fire out of, because that wood isn't conducive for that. So I started learning urban survival skills.
I think we are here to challenge ourselves and make ourselves better people and not just sit around in the world simply floating through life. You should be trying to do something great and making yourself better. You should be trying to evolve. That's what I'm trying to do, and that is very important to me.
Civic engagement means working to make a difference in the civic life of our communities and developing the combination of knowledge, skills, values and motivation to make that difference. It means promoting the quality of life in a community, through both political and non-political processes.
We were in the middle of a sandbar in the middle of the ocean with no one around, and still someone was following me from New York, and was hiding in some bushes like a mile away with a long lens, so he still got pictures. It was really an eye opener to how you really have to be careful about being followed everywhere. I was trying to go to the most remote place in the world, I was out on a sandbar in the middle of the ocean, and they still found me. It was definitely a very new experience.
It's a great luxury to have the writer with you on a new play because you can write and re-write, just trying to get the arc of the story, of their relationship right.
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