A Quote by Charles Stross

I wanted an agent who would actually sell stuff. After two British agents failed comprehensively, I was reading Locus (the SF field's trade journal) and noticed a press release about an experienced editor leaving her job to join an agent in setting up a new agency. And I went "aha!" - because what you need is an agent who knows the industry but who doesn't have a huge list of famous clients whose needs will inevitably be put ahead of you. So I emailed her, and ... well, 11 years later I am the client listed at the top of her masthead!
Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.
At one point, Lucille's agent wanted to have me fired, telling her that my eyes were bigger than hers. When I head this, I told her that if I had her looks and talent, I'd keep me and fire the agent!
I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense."
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
Authors don't tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey's first outing, and signed with Molly Friedrich, still her literary agent, with the publication of 'B Is for Burglar.'
When I wasn't working, I put the blame directly where it belonged - I blamed my agent. When I didn't have an agent, I spent time looking for a new agent so I would have somebody to blame.
When I first went up to see my editor, I was with my agent, and my editor said, 'Well, what have you been doing all these years?' And my agent said, 'He's been in recovery. From his childhood.'
I had been struggling to get roles in Hollywood for three and a half years after leaving the WWE. Then I finally got an agent - the agent I have now. He's a great guy, but he turned me down three times before he even decided to take me on a as a client.
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
My aunt was a fashion model and I happened to go to her agency with her, one day, when I was five. A talent agent said, "You should come talk to us." I did a few things. I did an indie movie and commercials, and stuff.
Her sister, Holly McGhee, is an agent, and she's my agent in New York. She's Alison's agent too. Even though Alison lives here in Minneapolis, I met Alison through Holly, when Holly came to Minneapolis to visit Alison.
He loved her for being so beautiful, and he hated her for it. He loved how she put shiny stuff on her lips for him, and he also reviled her for it. He wanted her to walk home alone, and he wanted to run after her and grab her up before she could take another step.
After about 20 years of the real estate industry - where we had built it up from a little one-off, just five-agent operation - we built that that into a four-office, 65-agent, multimillion-dollar firm. At that point, I relocated to my ranch in eastern Montana and really thought that I was going to spend much of my time in ranching.
After two years of sending out query letters and failing to get an agent, I made friends with an author, who was nice enough to introduce me to his agent. That got my foot in the door.
If you want to be traditionally published, then you most likely want to get a literary agent. To sign with an agent, you need to send them a query letter, but agents can get up to 20,000 query letters a year. With numbers like that, it helps to get in front of agents with every opportunity you have.
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