A Quote by Charles Stross

There's a long-standing (50 year old) flame war within the field over whether it's "sci-fi" or "SF".SF has traditionally been looked down on by the literary establishment because, to be honest, much early SF was execrably badly written - but these days the significance of the pigeon hole is fading; we have serious mainstream authors writing stuff that is I-can't-believe-it's-not-SF, and SF authors breaking into the mainstream. If you view them as tags that point to shelves in bricks-and-mortar bookshops, how long are these genre categories going to survive in the age of the internet?
Movie SF is, by definition, dumbed down - there have only been three or four SF movies in the history of film that aspire to the complexity of literary SF.
SF isn't a genre; SF is the matrix in which genres are embedded, and because the SF field is never going in any one direction at any one time, there is hardly a way to cut it off.
[Science fiction is] out in the mainstream now. You can tell by the way mainstream literary authors pillage SF while denying they're writing it!
War has always been a part of science fiction. Even before the birth of SF as a standalone genre in 1926, speculative novels such as 'The Battle of Dorking' from 1871 showed how SF's trademark 'what if' scenarios could easily encompass warfare.
Anything can happen in SF. And the fact that nothing ever does happen in SF is only due to the poverty of our imaginations, we who write it or edit it or read it. But SF can in principle deal with anything.
I think these days an SF connection would be a boost to other books; I'm sure more people have read my two little detective puzzles because of the SF connection.
There's certainly more new SF available than when I started writing. That means there's also more bad SF available. Whether there is also more good is a matter for future historians of the field.
I think the rising and falling popularity of areas like hard SF and far-future SF is, to a considerable extent, the same as any other fashion.
In 2007, I sold my first book, 'Grimspace.' It says it's SF on the spine. I believe it to be SF, though it's certainly written differently. I write in first person, present tense, and the protagonist is a woman with a woman's thoughts, feelings, and sexual desires.
An SF author who reads only SF will have little new to contribute, but someone with a broader experience will bring more to the table.
Most of my poetry lies beyond the SF field, yet here I am corralled into 'SF poetry' as part of this poetry weekend. Of course, some might say, 'you've made your own bed - now you must lie in it!' But, while fully accepting that dictum, I'm not yet quite prepared to lie down.
Many a fine SF story uses science or technology merely as backdrop. Many a fine SF story presumes a technological breakthrough and explores its implications without attempting to predict how the thing might actual work.
Very little in science fiction can transcend the gimmickry of a technical conceit, yet without that conceit at its heart a book is not truly science fiction. Furthermore, so little emerging thought and technology is employed by sf writers today that the genre is lagging far behind reality both in the cosmology area and the technology area: sf is no longer a place to experiment, but is now very derivative.
Science fiction [is] the kind of writing that prepares us for the necessary mutations brought about in society from an ever changing technological world and as a result. The mainstream hasn’t excluded SF; the mainstream has excluded itself. No one told Jules Verne he was a science fiction writer, but he invented the 20th century.
I'm a fantasy writer. I don't do SF. This is important to me. If you're not clear on what genre you're in, everything gets muddled, and it's hard to know which rules you're breaking.
It's hard to generalize, because they're all different. When I started, I decided to take as much advantage as I could of the freedom offered by the SF field.
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