A Quote by Charles Stross

Writing your own story around the same ideas is not plagiarism; at worst, it's being unoriginal. — © Charles Stross
Writing your own story around the same ideas is not plagiarism; at worst, it's being unoriginal.
Writing is like wrestling; you are wrestling with ideas and with the story. There is a lot of energy required. At the same time, it is exciting. So it is both difficult and easy. What you must accept is that your life is not going to be the same while you are writing. I have said in the kind of exaggerated manner of writers and prophets that writing, for me, is like receiving a term of imprisonment-you know that's what you're in for, for whatever time it takes.
I've grown from being around other singers. I've learned not to be afraid. A part of that is from writing my own songs and discovering how to tell my own story properly.
At school any spontaneous act was likely to get me into trouble. I learned never to act on impulse, and that whatever came into my mind first should be rejected in favour of better ideas. I learned that my imagination Wasn’t ‘good’ enough. I learned that the first idea was unsatisfactory because it was (1) psychotic; (2) obscene; (3) unoriginal. The truth is that the best ideas are often psychotic, obscene and unoriginal.
You're your own athlete, you have your own story to write and at the end of the day, our story that we have together will always be there and we're still writing it.
Everything has changed, but the process of telling a story has not changed. It's like cavemen sitting around the fire; somebody's going to tell the story. Somebody is drawing on the wall. You're communicating. You're trying to learn and teach at the same time. You're your own student and you're your own teacher, but the process is of the communicating.
Writing can be a lonely business. But gradually your characters, or the scenes and peopl from your past, begin to rise up around you, and you find yourself writing your way out of loneliness, writing into your own company.
In fiction writing ideas have to be handled extremely carefully. You can't let your characters just be mouthpieces for your ideas. They have to live and breathe on their own.
Writing two stories [in the Thorn and the Blossom] about the same set of events that were complete stories in themselves, but also added up to a larger story. As I was writing them, I kept going back and forth, because something would happen in one story that would have to be reflected in the other story. And yet the same event would also have to be perceived in different ways by Brendan and Evelyn, because they are different people with their own interpretations.
A good way to have good ideas is by being unoriginal.
It's like you're a character in this book that everyone around you is writing, and suddenly you have to say, 'I'm sorry, but this role isn't right for me'. And you have to start writing your own life and doing your own thing.
You can't truly hear your own voice until the shouting around you disappears. New ideas and possibilities - our own ideas, our own possibilities - will occur only when we step away from the Virtual Panopticon.
What counts, in the long run, is not what you read; it is what you sift through your own mind; it is the ideas and impressions that are aroused in you by your reading. It is the ideas stirred in your own mind, the ideas which are a reflection of your own thinking, which make you an interesting person
Nobody wants to be a bottom feeder and deal with the reality that you have one of the worst records, if not the worst record, in the league. Obviously, we have to turn that around and turn it around fast. I feel like if we ever show up in the same place at the same time we can make some noise in this league.
You're the hero of your own story. I had let go of my own story from my own childhood and whatever anger I had and I began to see it from a very different place. It's really easy to be like "This thing happened to me! Look what they did to me or are doing to me." These are such powerful ideas and it's so easy to hold onto them forever. When I let go of those ideas it was easier to see my childhood from different points of view.
Truth is that the best ideas are often psychotic, obscene and unoriginal.
When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
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