A Quote by Charles Traub

Though the computer can correct anything, a bad image is a bad image. — © Charles Traub
Though the computer can correct anything, a bad image is a bad image.
If you see an image and it's just an image, and there's a bad link or no description, and you don't know what that image is, or who took it, or what it's a picture of, it's not a very satisfying or actionable experience.
It is bad enough to be condemned to drag around this image in which nature has imprisoned me. Why should I consent to the perpetuation of the image of this image?
I think we all do craft a certain self-image. I guess the degree that our internal self-image matches the image we project, we perhaps feel really uncomfortable in the world when there is a difference. That can cause a lot of stress or bad feelings about ourselves.
If we have to have a choice between being dead and pitied, and being alive with a bad image, we'd rather be alive and have the bad image.
Salman is a paradox. He has this image of a moody actor who turns up late for shoots or doesn't turn up at all. And then there is this image of him as a kind-hearted, loving, and giving man. From my experience with him, I have to say that I have never seen the bad boy image at all.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
But I think the image that's thrown out on television is a bad image. Because you see players who want to imitate hip-hop stars. And the NBA is taking advantage of the situation.
We also have the option of scanning in an image from outside the computer... a photo, or a sketch done with traditional tools; and we can then paint, manipulate, process, change, and further develop the image within the computer, watching our progress on the monitor.
America has always been fascinated with the bad guy that's probably why I'm still here. I'm not just living off my bad guy image cuz at the end of the day nobody wants to be bad forever.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
In Los Angeles there's, like, this awful image because the girls are so skinny. I don't think it's attractive whatsoever, and I also think that it gives a bad image to kids that are in their early teens. It's not healthy.
I've always looked like I have a sort of bad-boy image as Too Short. People take that for face value. I kind of like that. I like the image. It suits me well.
Even with cameras being very cheap, one thing that researchers noticed was that you look really bad in a videoconference image because the lighting is bad and you get shadows and things.
A writer's life is so hazardous that anything he does is bad for him. Anything that happens to him is bad: failure's bad, success is bad; impoverishment is bad, money is very, very bad. Nothing good can happen... Except the act of writing.
It's an image that the media has given me as a bad girl, and the only reason they gave me that image is just because of the few things that have gone wrong in my life, and also because I grew up living in a trailer.
Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.
This site uses cookies to ensure you get the best experience. More info...
Got it!