A Quote by Charles Webster Hawthorne
If you are not going to get a thrill, how can you give someone else one? You must feel the beauty of the thing before you start.
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The best way to experience power (or anything) is to give it away. Make someone else powerful and you become twice as powerful as you were before. Make someone else loved and you become twice as loved. Make someone else feel good and you feel twice as good. It doesn't get any better than this. And it's all so...simple.
If you do something that you're proud of, that someone else understands, that is a thing of beauty that wasn't there before - you can't beat that.
When you get the ideas, that's a thrill; when you're writing the book and it's corning out well, that's a thrill; when you finish it and other people read it, that's a thrill. There are going to be reviews, of course; not everyone's going to love it. You feel sort of naked and vulnerable in a way. That's just a minor part of the process, really. If you can't take that part, you shouldn't be in the business. But there are so many joys to writing.
I had played on the police athletic league, but my father had a unique thing, he always said, 'Before you start going to basketball camp and doing all the things, you should learn about yourself first before somebody else starts telling you how to play.'
Something may have happened before, and yet this thing that happened just after may be so important that you don't even know about the thing that happened before and when you tell your story to yourself, or to someone else, it's going to be told not on the basis necessarily of the time course, but rather on the basis of how it was valued by you.
It's good to give people a jolt. If they're expecting one thing, it's important to give them something else. If you do something startling, audiences might at first freak out, but then they start to think, 'This is not going to be conventional. I'm going to enjoy this.'
That's the thing: once it's in their hands, it's not my book anymore, it's theirs. I have no idea what happens when they start to digest it. So when someone writes me to explain how they read it, what it was like, what they enjoyed, there's a thrill. Writers who don't make their email addresses public are missing out on something wonderful.
you have to realize that you don't have someone else's life and your never going to. You better start loving the one you got. Embrass the life you have and stop wishing that you could be someone else. Just stop all that and start saying "God here I am. Do what you want to do with me".
We are capable of creating miracles ourselves and the greatest miracle is to create a masterpiece of joy out of your life with no excuses. The thing I focus on is going straight to heart. I go to mine first because if I don't feel it, you're not going to feel it. I take a deep breath and remind myself that before I give it to you I have to give it to myself.
Someone real," I hear myself saying. "Someone who never has to pretend, and who I never have to pretend around. Someone who's smart, but knows how to laugh at himself. Someone who would listen to a symphony and start to cry, because he understands music can be too big for words. Someone who knows me better than I know myself. Someone I want to talk to first thing in the morning and last thing at night. Someone I feel like I've known my whole life, even if I haven't.
Journalism taught me how to write a sentence that would make someone want to read the next one. You are trained to get rid of anything nonessential. You go in, you start writing your article, assuming a person's going to stop reading the minute you give them a reason. So the trick is: don't give them one.
I have managed not to finish certain books. With barely a twinge of conscience, I hurl down what bores me or doesn't give what I crave: ecstasy, transcendence, a thrill of mysterious connection. For, more than anything else, readers are thrill-seekers, though I don't read thrillers, not the kind sold under that label, anyway. They don't thrill; only language thrills.
You just want someone that you're going to get on with. That is genuinely the first priority. Even before how good they are, you want someone that you know you're going to have a laugh with and that the journey is going to be OK between the two of you.
I think the greatest imagination we can exercise is one that imagines how someone else feels. Because you know how you feel, but so often we attribute our own feelings on to someone else.
Everyone on the grid gets nervous before a Formula 1 race. It's just how you manage it. It's impossible not to be a bit nervous before a Formula 1 start or even before a World Series start. You have nerves. The thing is, you know how to control them.
You have everything in you that Buddha has, that Christ has. You've got it all. But only when you start to acknowledge it is it going to get interesting. Your problem is you're afraid to acknowledge your own beauty. You're too busy holding on to your own unworthiness. You'd rather be a schnook sitting before some great man. That fits in more with who you think you are. Well, enough already. I sit before you and I look and I see your beauty, even if you don't.
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