A Quote by Charles Webster Hawthorne
The world is waiting for men with vision - it is not interested in mere pictures.
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I have never been interested in making a photograph that describes what the world I live in looks like, but I am interested in what pictures (of the world) look like.
I have heard it said that living out of our vision is more powerful than living out of our circumstance. Holding on to a vision invokes the circumstances by which the vision is achieved. Vision is content; material circumstances mere form.
Vain vision! when the changing world each day Sees some such lordly pleasance pass away; When the mere stripling knows my symbols all Worn tokes, heaven hypothetical, Nature indifferent, and the dreams of men Figments of longing which we must condemn. Yet keep these plants, O Man! a kinder time May yet be moved by them to better rhyme, Or moved, like me, to place his pleasure low, On the firm Earth, whence Men and Blossoms grow.
They all laughed. I drew their pictures and they asked for copies and I handed them out as if they were my tickets to the show. In the Navy Yard, I could drink with men because I worked with men; in the Parkview, I could drink with men because I drew their pictures. The world was a grand confusion. Finally, when I was bleary, when my hand wouldn't do what I wanted it to do, I went home. I would lie alone in the dark, feeling that I was a character in a story that had lost its plot.
We have to have a vision of the world we want to make in 100 years. And maybe when we have that vision, when we convince enough people that that is a realistic vision, and that the opposite vision is basically that if we don't do something in this 100 years, a hundred years from now this world is gonna be so destroyed, so raped and ravished that we won't HAVE much of a world to save.
Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work, waiting for children to grow up, or for the birth of a new child, or for menopause.
The pictures feel as essential to me as the text. I was always interested in including pictures with writing.
I come at a subject from a profoundly photographic level. I am not interested in pictures that ultimately don't work as pictures.
Literally, FX is like, 'How can we foster your vision?' My vision is pretty much taking pictures of the way I see my life.
I'm aware of other artists, but what I'm really most interested in is viewing individual pictures. I like dramatic pictures.
Artists are interested in pictures as sources of ideas for their work. Where the pictures come from and how they are made is of little concern to them.
I had always made pictures as I thought I saw the world, focusing on what lay in front, but this is not how one sees the world. It only frames the centre and cuts off the lateral vision, which lies unfocused. Now I found that I could turn my eye to the adjacent field of vision, seeing another focus, an extension which I added to the original. Instead of stopping at two focuses, I looked further to the side, adding another and yet another.
I have a vision of a world where we don't continue down senseless paths, where we care for our fellow human as much as we care for ourselves. I believe the mere striving for such a world is in itself a part of the liberation, and a foundation for inner and global security.
In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.
The element of discovery is very important. I don't repeat myself well. I want and need that stimulus of walking forward from one new world to another. There is something demoralizing about going back to a place to retake pictures. You can no longer see your subjects in a fresh eye; you keep comparing them with the pictures you hold in your memory. [The] world was full of discoveries waiting to be made...(as a photographer) I could share the things I saw and learned...you would react to something all others might walk by.
Sometimes the mere connection we make with each other can change people's lives. It doesn't have to be something big. The mere fact that you're interested in them makes them happy.
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