A Quote by Charles Wright
The music of memory has its own pitch,/which not everyone hears.
Related Quotes
If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.
Do not be irritated either with those who sin or those who offend; do not have a passion for noticing every sin in your neighbour, and for judging him, as we are in the habit of doing. Everyone shall give an answer to God for himself. Everyone has a conscience; everyone hears God's Word, and knows God's Will either from books or from conversation with other people. Especially do not look with evil intention upon the sins of your elders, which do not regard you; "to his own master he standeth or falleth." Correct your own sins, amend your own life.
Can't you tell when you're with someone who's listening? She hears you, really hears you. He hears the sadness in your tone or catches your joy. Be a listener, to music, to life, to others, to God. Life is noisy, but there is music in every heartbeat. God is waiting to bring joy and peace to the confusion of our days.
The beauty of music is that everyone hears it their own way, and every song you hear leaves an impression on you that alters the way you hear everything from that point on.
If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away. It is not important that he should mature as soon as an apple-tree or oak. Shall he turn his spring into summer? If the condition of things which we were made for is not yet, what were any reality which we can substitute? We will not be shipwrecked on a vain reality.
That's what's interesting: When you release an album, everyone hears it their own way.
Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.
Everyone who hears our music loves it, but how many people get to hear it?
Culture dictated from above is the enemy of folk music. Whether it's stuffy classical music or pre-engineered pop where somebody's paid tons of money to make sure that everyone hears this song a certain number of times a day - that feels like the opposite of folk music.
All the charm of the angler's life would be lost but for these hours of thought and memory. All along the brook, all day on lake or river, while he takes his sport, he thinks. All the long evenings in camp, or cottage, or inn, he tells stories of his own life, hears stories of his friend's lives, and if alone calls up the magic of memory.
I think it killed the performance on a lot of the systems in the Labs for years because everyone had their own copy of it, but it wasn't being shared, and so they wasted huge amounts of memory back when memory was expensive.
Music, Rock and Roll music especially, is such a generational thing. Each generation must have their own music, I had my own in my generation, you have yours, everyone I know has their own generation.
The sight of such a monument is like continual and stationary music, which one hears for one's good as one approaches it.
The community in which one hears the voice of God structures how one hears that voice and interprets what it says.
I put in the sounds of instruments such as the guitar and piano, which everybody hears often, and tried to go with melodies that would sound familiar. Rather than trying to do music that I want to do, I focused on doing music that I want my fans to hear.
A song playing comprises a very specific and vivid set of memory cues. Because the multiple-trace memory models assume that context is encoded along with memory traces, the music that you have listened to at various times of your life is cross-coded with the events of those times. That is, the music is linked to events of the time, and those events are linked to the music.
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