A Quote by Charles Yu

Whatever the reason, first place was always Solo, always, always, always, and second place was usually Chewbacca, because if you weren't the one saving the galaxy, you might as well be eight feet tall and covered with hair.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
If you listen to what I'm saying, there's always a reason for it. Always. And it always comes from my heart, a place of love.
The reason I decided to become a solo artist in the first place was because I always felt that the results that I got from working as a team where everyone had equal say... ended up with compromised, watered-down results.
For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
Never say you are five feet nine when you are five feet eight and a half" was the first one I encountered. Another was, "Always say some prayers at night because it might turn out that there is a God.
You can go anywhere in New York. There's always something to do in New York. There's always a place to eat no matter what time it is. There's always a place to work, a place to drink. It's conducive to my lifestyle. I don't know how to drive a car, so I like to be able to walk places.
I always go with the story and character and if those are good and if the setting is something that's scary (horror films seem to always take place at night and the weather's always bad) then I might be interested.
The studio is meant to be always a place where, first of all, they can be out of spotlight, and second, where they could work with a peer group on parts that they might not have played otherwise.
But there is always creative destruction in markets: there are always new winners taking the place of those that are. So if you only look at the market's surface, it may appear flat, but there's always huge turbulence taking place within.
I always had short hair, and I hated my short hair. I was always mistaken for a boy, but my mom wouldn't let me change my hair because she was always chasing me around with a hairbrush, and it was always tangled, so she just would cut it off, and she's right: short hair did suit me.
Australia is always a place that is dear to me; it is always my second home, and I try to get there as often as I can, but it is not next door, you know.
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
I've always - and not always happily - considered myself an outsider. Certainly at Fettes. And then the Scots are always outsiders in England. They are always putting you in your place in one way or another, and there is this pretty rigid class hierarchy.
It was always about being first, about winning. There were no prizes for second place. My mother and father said, 'Do whatever you want, as long as you're the best at it.'
The only place you belong is the place you can never go back. And so yer always alone, forever and always.
It is injurious to the mind as well as to the body to be always in one place and always surrounded by the same circumstances.
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