A Quote by Charles Yu
Everyone has a time machine. Everyone *is* a time machine. It's just that most people's time machines are broken. The strangest and hardest kind of time travel is the unaided kind. People get stuck, people get looped. People get trapped. But we are all time machines.
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L.A. is a kind of a landing place for some people. People are just in and out all the time. People are there for a short time until they get what they need and then they go somewhere else.
Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.
You always have to be on at times, and occasionally people get upset if you say no to a picture when you're eating dinner or something, and that's kind of the hard part. Or if you get crazy rumors that swirl around you from time to time that are just silly.
I think it's very important for everyone in America to realize right now the state of our country, not just on this issue but on a lot of issues, that it is time to get active again. People have just sat back and just sort of said, oh, let somebody else do it for a long time, and we're seeing what's happening to the country, even freedom of speech. It's not going well. So I think this is a real opportunity for people to see, yes, if you do get out and you do get active, there are other people there. You just have to seek them out.
I get out of all of these things that many of these candidates would rather take legislation to build a time machine and go back in time to where, uh, we had, you know, no women voting, slavery was cool. I mean, it's just kind of ridiculous.
Unfortunately, when you're working in film, it's this huge machine, and you've got to get everyone right there, so you get kind of locked into things. I'm not sure where the artistry in film making is. It's usually that moment when you're on set and you're working with the actors. That's the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It's upsetting because you get away from the core.
I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.
The flower inside the fruit that is both its parent and its child. Decadent as ancestors. The portal and that which passes. Nuclear devices activated, and the machine keeps pushing time through the cogs, like paste into strings into paste again, and only the machine keeps using time to make time to make time. And when the machine stops, time was an illusion that we created free will.
Our goal is to have a country that's not divided by race. And my impression, as I travel around the country, is that that's the kind of country that most people want, as well, and that we all have prejudice, we all have certain suspicions or stereotypes about people who are different from us, whether it's religious or racial or ethnic, but what I think I found in the American people, I think there's a core decency there, where if they take the time, if they get the time to know individuals, then they want to judge those individuals by their character.
People can get a bit like, "Oh my God, your life is different than mine." But no, it's not. Everyone's got the same problems. We all get jobs, and we lose them. We have a good time, and we don't have a good time. It's changed in that some people have a certain expectation of what they might find when they meet me, which sucks, because I'm not that thing.
I think there's kind of a wave of nostalgia going on right at the moment. You know, people recall an earlier time, which they see as a better time. And I think we just kind of evoke good thoughts when they look at us. That's the feeling I get.
I find, a lot of the time, kids can get stuck on, 'Oh no, he doesn't have blue eyes,' with books. You're kind of like, 'Well, that you're going to get over by the time the movie comes out.'
It kind of hit me at some point during the process that most people in the film business - not just the executives, the people who make them, too - tend to come from pretty upper-class backgrounds. If they go work a job, it's to have that experience, that sort of thing. After they graduate college, they have time to go visit Europe and take some time off and get their heads together. That kind of thing, I sure didn't have.
Man is a fire-stealing animal, and we can't help building machines and machine intelligences, even if, from time to time, we use them not only to outsmart ourselves but to bring us right up to the doorstep of Doom.
Don't waste your singleness. I think we spend a lot of time griping about how we're single, and we spend a lot of time and energy being angry about that when we could be spending that time to really serve other people and use the free time we do have to do so much more for the Kingdom of God. So don't waste that time. Use it. You only get so much time and then you'll most likely get married and have kids and a husband and not have as much free time. So enjoy it and use it to serve other people.
Everybody knows a guillotine choke, and most know how to get to one. But if you can create a different way to get to that choke, then you're going to surprise people. However, that will only happen one time, because once it gets used that one time, everyone will see that and start to train for it.
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