People believe that management consultants are mostly useless parasites. Up until about 1980 it was consultants more than anyone else who came up with the critical concepts behind strategy. The history of strategy suggests there are lots of things consultants can do for a company that the company can't typically do for itself.
Most artists have contracts directly with the record company, and when they do music, all of their music is owned by the record company. But I did mine through a production company.
And looking at today's music scene, I think it's cool that there are a lot of consumers and fans not limited by what radio and the record companies tell them to buy.
Reading, like writing, is a creative act. If readers only bring a narrow range of themselves to the book, then they'll only see their narrow range reflected in it.
We talk about people being narrow-minded when they have a limited sense of possibility. Well, that’s exactly what they are. They are narrow-frequencied, if you like. When we talk about people awakening, it’s awakening to a greater range of possibilities, of awareness and frequencies.
I realized that, all along, my theory was right: Make music that you want to hear, and instead of having fans that one day might criticize or abandon you, your fans aren't even fans. They're people with tastes similar to yours. They're friends you haven't met yet.
Baseball fans! Good lord! I feel like sports fans get mad at you easier than country music fans. It scares me. I'm glad that country fans don't get mad every time I mess up.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
Obviously, I love country music, so I wanna be able to live in the country music genre and then play to country music fans.
I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.
When you are doing music videos through the '90s, which I did, and the 2000s, you were put in the position, really, as an independent filmmaker. You were being financed by a major record company or a minor record company or whatever.
We've got great fans that rock and roll won't have, because you can have a one-hit record and country music used to, not so much anymore and you have a fan forever.
My acting range is incredibly limited and narrow, but I'm a good heavy. I'm a good authoritarian figure; I don't know why. "Can you be a cop?" Sure. "Can you be a Marine?" Absolutely. Well, at least in a movie.
I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.
I've definitely grown a new respect for Country music and have more of an understanding of what this music means to fans and what the relationship between the fans and the artist is.
All music is based on country music. And that's why so many different kinds of people relate to it. There are more country music fans in New Jersey than there are down South.