A Quote by Charley Pride

There is an intimacy about the Opry Theater that gives an entertainer a special charge. — © Charley Pride
There is an intimacy about the Opry Theater that gives an entertainer a special charge.
I'm just another Opry entertainer. I'm not the start of the Opry, and I'm not the ending. I'm not the Alpha, and I'm not the Omega. It's been a pleasure taking part in the Opry and country music these many years. I'm part of a big operation.
Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.
Consciousness-raising is at the very least supposed to bring about an intimacy, but what it seems instead to bring about are the trappings of intimacy, the illusion of intimacy, a semblance of intimacy.
Theater for me is about enduring human truth. Special effects can be part of that, but when they obscure what is the reason we come to theater - to see reflections of our confounded humanity - the theater has lost its way.
We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time.
Praise is the 'breath' which gives us life, because it is intimacy with God, an intimacy that grows through daily praise.
When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry".
I get asked, 'What do you miss most about being a pastor?' I think it's the intimacy, the incredible gift of intimacy. You go through death with somebody, with their families, and there's an intimacy that comes through that that is just incomparable.
There's something about the intimacy of comics that gives you a false bravado; you don't always consider the consequences.
I'm not a star, I hate that word, and I'm an entertainer. Stars fall, you know, I'm an entertainer. I want to be known as an entertainer.
Marriage is a way to avoid intimacy. It is a trick to create a formal relationship. Intimacy is informal. If a marriage arises out of intimacy it is beautiful but if you are hoping that intimacy will arise out of marriage, you are hoping in vain. Of course, I know that many people, millions of people, have settled for marriage rather than for intimacy - because intimacy is growth and it is painful.
The Grand Ole Opry, to a country singer, is what Yankee Stadium is to a baseball player. Broadway to an actor. It's the top of the ladder, the top of the mountain. You don't just play the Opry; you live it.
The theater itself is a lie. Its deaths are mere special effects. Its tales never happened. Even the histories are distorted for dramatic effect. The theater is unnatural, a place of imagination. But the theater tells the audience something true: that the world requires judgments.
I think we all have this special equation with our art where we don't feel the need for anything else; it almost gives you everything. It gives you physical strength, it gives you mental peace.
It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.
For a long time, I've distinguished between entertainer and performer and entertainer and artist. To me, an entertainer is someone who pleases others, and an artist tries to please himself.
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