A Quote by Charli XCX
I just want people to feel the emotion that's in the record. For me it's very raw and beautiful, I guess it's kind of like a diary for me. I'd love for people to be able to listen to it and it make them dance and cry and the same time.
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Just do exactly what it is that makes you want to do what you do. The stuff I listen to in my private collection, it's what moves me, makes me want to play. I want to make other people feel like I feel when I listen to that music. Whether other people like it or criticize it - even if there's only 10 people on the planet that love it, you're touching 10 people that way.
I feel less and less like that every year, and I guess maybe even more so with every new record that I put out. I just think, as the years go by, it's harder and harder to really find a reason to be annoyed that you made something that people want to continuously talk about. Certainly there are contexts in which the record can be discussed which will get me on the defensive and make me want to put some kind of calibration or some kind of context on what the record means in relation to my career as a whole.
When I do a festival, I want everyone to have a party, I think it is kind of similar to a club where everyone is there to have a good time and celebrate not being at work or just being able to have fun. I love people dancing to my music as well; if I can make them dance I feel happy.
The humor and emotion of the 'Do You Want to Build a Snowman' theme makes me cry every time I watch it, and that deep emotion is something we'd love to do on the show. If we can make you cry, we always try to. And 'Once,' when it's at its best, is emotional and fun.
I love a man with a great sense of humor and who is intelligent - a man who has a great smile. He has to make me laugh. I like a man who is very ambitious and driven and who has a good heart and makes me feel safe. I like a man who is very strong and independent and confident - that is very sexy - but at the same time, he's very kind to people.
You know, you hear about these movements for women, and for children, and for people who are any race but white, and you think that it's about time that men got a movement. Think about it. Guys can't play the piano, or dance, or sing. We can't cry, or be too happy, or show any emotion for that matter. The only thing we have left to us is anger, and even that we have to bottle up. Boys should be able to express what they feel and not have to endure people laughing at them, forcing them to wonder if they're gay or not, just because they like to paint.
I'd love to have a lifetime career. If you look at people like Bob Dylan or Neil Young, people who have been there forever and who still make relevant music that people want to listen to - that would be amazing. I hope to be able to do that. But above all else, I feel like I just want to be happy.
The Soft Machine's 'Volume Two' inspired me heavily. That record just feels like it was all done in the same breath. It's genius, and it's silly at times. But I love the fact that every time I listen to it, I listen from the beginning and want to play it out.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
I look at my kids and I feel I'm at the precipice of this job, like just kind of tipping over the other side. I'm very conscious of time I guess is what I want to say, and I want to be there as long as I can with my kids, and I also want to make sure I do all the things that are important to me.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
Fashion to me is very emotional. It's my strongest form of self-expression, and I love wearing a piece of clothing where I feel like I can run around at any moment and dance in it. So you know, I guess when I'm designing, I want the clothes to feel celebratory and feel very light and fun and feel like you could move seamlessly.
I want to appeal to people's sense of humanity and interconnectedness. I feel like I have the platform I'm standing on for a reason. It's not just to make people happy and get people to dance and sing, to feel an escape. It's also to get people to listen and to bring important issues to the forefront.
Why do I doubt her? Perhaps she is just very sensitive, and hypersensitive people are false when others doubt them; they waver. And one thinks them insincere. Yet I want to believe her. At the same time it does not seem so very important that she should love me. It is not her role. I am so filled with my love of her. And at the same time I feel that I am dying. Our love would be death. The embrace of imaginings.
Sometimes, I don't like making emotions your career; something about it is kind of gross. But, at the same time, I want to move people the same way the songs make me feel.
I am afraid of people because they want me to lead the same kind of life as they do. They want me to dance jolly and cheerful things. I do not like jollity. I love life.
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