A Quote by Charli XCX
The music I'm making is like an explosion of love. It moves away from super dark, its more romanticized and floral, but still quite black.
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You're going to have a racial explosion, and a racial explosion is more dangerous than an atomic explosion. It's going to explode because black people are dissatisfied; they're dissatisfied not only with the white man, but they're dissatisfied with these Negroes who have been sitting around here posing as leaders and spokesmen for black people and actually making the problem worse instead of making the problem better.
And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
I love making music, and I love touring. I love that I get to wake up and play music. I don't like being away from my wife and kids.
We just like making the music that we make. It makes us super, super happy.
We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a squared jaw or pretty woman with big breasts, then kids start thinking that's how it's supposed to be. Part of the problem was that black comic book artists were making super heroes with the same pattern as the white super heroes. When you read a lot of those comics, the black super heroes don't seem to have anything to do.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
I still love making music. And I still love performing for my fans. I'd like to thank them for sticking with me through thick and thin.
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
Some people like music to be far more immediate and make you dance straight away. But I like to engage with it on a different level and for it to have that human element where it moves you in an emotive way.
I think we're all a little afraid of the dark. If you lived in the country, as I did, there's nothing quite like country dark, which was really black. And as a child, your imagination runs wild.
I love artists making cool music, regardless of the style.So, if a country artist making really cool music came along and asked me to work with them, I just might say yes, even though I'm not super-knowledgeable about country, like I am about hip-hop. I might do that because the idea is so interesting.
In the dark I rest, unready for the light which dawns day after day, eager to be shared. Black silk, shelter me. I need more of the night before I open eyes and heart to illumination. I must still grow in the dark like a root not ready, not ready at all.
I wouldn't say making psychedelic music is my focus. That's not the modus operandi for Tame Impala. It's about making music that moves people.
When I started producing, I was just making music under all different names. 'Black Afro.' 'Super Grandmaster.' 'Mister Bull.' Like, the most stupid, idiotic names. 'Afrojack' was one of those idiotic names.
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