A Quote by Charli XCX
To be honest, my usual makeup is the same as in my music video looks.
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My creative process is a bit manic at times, to be honest. I wake up Monday and Thursday stressed because I don't have a video. I usually - with the exception of maybe a handful of videos - wake up, write the video, shoot the video, edit the video, release the video all in the same day.
I think that artifice is the new reality. It's more about just being honest and sincere to the core of what you do. Whether I'm wearing lots of makeup or no makeup, I'm always the same person inside.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.
When you see a Jamaica video, it's always the hood. Everybody in the video's got guns, and the world looks at it like that's what Jamaica's about. And it affects the economics of the music.
When you have a cute outfit on and your makeup looks amazing, the first thing people comment on is your image. When you don't wear makeup, you hear things like, 'Oh wow, you look tired,' or, 'You're so brave for not wearing makeup!'
[My work] looks very cinematic because it's not abstract video art. It's sometimes very narrative and since I play with film grammar in my video work, making a feature film was almost the same challenge.
My favorite makeup look was for my 'Eyes Wide Open' video done by Torsten Witte. It was so dramatic and definitely captured the magic of the video.
I respect people that are die-hard film people, but I started on video. I started on Hi8 video and mini-DV, and I made skate videos. So, I love film, and I love the way it looks, but I also love the way crappy video looks, or VHS. I've always been a fan of whatever the look is that's appropriate for what the feeling is.
I love strong looks, so to me, no makeup is strong. As long as it makes a statement, that's what I like. The girls look very real, and I'm probably the only makeup artist who will say that I love a woman without makeup.
The biggest beauty myth is that everyone looks better without makeup. That's not true. Makeup is important.
To be honest with you, my mom never really wore makeup when I was growing up. She wasn't really my makeup muse. It was my grandma. The biggest thing that she taught me is that it doesn't matter how your makeup comes out, it's really just how you wear it. If you carry it like you killed your makeup, then that's all that matters.
I know how to make other women look beautiful: from hair to makeup to wardrobe. So, I feel that I have a gift with imaging, and that's kind of fundamental to the music video process.
I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.
When you're animating a music video, you have to animate to some set music. You're somewhat restricted by that, but you're also inspired by that. The animation becomes secondary if you're animating to a music video. Either way, it's important. Music has really helped my animation, that's for sure.
Once the makeup is on, it's a collaborative process but it's pretty neat to have the makeup sort of speak to you when you look in the mirror and see how the face moves. For me, the personality comes through that makeup and that exploration of how it all looks and moves. You try to make it more unique than just a human with a mask on.
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