A Quote by Charli XCX
I loved Justice and Uffie and everyone signed to the label Ed Banger. They were really influential to me when first started making music.
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When I first started, the very first body of music I made when I got signed to Atlantic were songs with titles like 'Unify' and 'You're Special.' And there's this song that reminds me of Meghan Trainor that I wrote, about a woman's body and not conforming, when I first started in music.
They told me that they are starting a classic label, and wanted me to be the first artist. So I signed, and am producing myself, and writing my own music, but I'm their first artist on their classic label. And I have creative control.
When I got signed to the 'Fader' Label, they got really excited about having me as their new artist. They were promoting my music everywhere. Pharrell was one of the producers who wanted to work with me, so I was really lucky to be one of those people who got to work with him.
When I first started making music, for about the first 10 years, I was always the young kid. Everyone referred to me as such in any band.
I started making music that I loved and was passionate and excited about, but it was really cool when I started touring to realize it's an extremely diverse group of people who come out. In the front row, I'll have everyone from a little girl in a frilly tutu, to rockers and gamers and older couples. I love it that it's just everybody.
Funny thing is, we've never really had a stylist. We had this style, and the label that we're signed to loved it. And I actually thought they were gonna hook me up with all kinds of cool clothes. But they were like, "No, no, no! Your leather jacket and your skinny jeans is exactly what you want." Aww, dude. I thought you were gonna hook me up!
When I first started out in the music industry and went to Elektra Records, I didn't go to be an artist, I went to get a record label started. And they said in order to have a label deal, I had to be an artist - so that's what I did.
I love music, and I loved dance music immediately. So I bought some equipment and started making my own. When I started this, I didn't say, 'okay I'm going to do this step and then this step' to become popular. I just created music that I loved.
Doing things in my day was simple: you either signed to a big label or you signed to a very small label, and you worked with that one, and then they eventually signed you on to a big one.
It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now.
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.
You have to change musically. Bubble gum pop was good for the first time you have sex. They didn't want to give the OK on some really good music. It was the frustration of being signed to that label. I was depressed.
We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
Before I'd even started doing music or having opportunities with my own music, I was studying production and business and stuff anyway. I knew there were so many jobs within the music industry - songwriting or session playing or working at a label - and I was really interested in how it all works.
I remember in 2016 when I got signed to my record label Good Soldier, which is a very small indie label. They took a big risk on me because ballads were the furthest thing from cool at the time.
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