A Quote by Charli XCX
Making my first record, I was really inspired by all the color palettes Sofia Coppola has in her films.
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On my first album, I felt like, if it was going to be turned into a movie, it would have been directed by Sofia Coppola. She creates this kind of pastel-colored palette that's very whimsical but also very stagnant. And that's really how I heard the record.
I always think Michelle Williams is excellent in her work. And I do love Sofia Coppola. She always creates something so atmospheric. I love Wes Anderson, Roman Coppola, Andrea Arnold.
Sofia Coppola is wonderful, and I'd love to work with her.
I even think the commercial element of new American directors is really fertile right now. There are a lot of filmmakers with very particular visions, like Sofia Coppola and Wes Anderson and P.T. Anderson and Alexander Payne and Peter Sollett and Harmony Korine and Vincent Gallo. At least they're making films that they choose to make, and they're on their own. That's positive to me. This is not a dead period for American cinema at all.
I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.
On Sofia Coppola's 16th birthday, way back in 1987, I stole a lip gloss from her Sistine Chapel of a bedroom. Years later, I left a Chanel lip gloss in the reception of the Mercer Hotel for her. You know why? I believe that you've got to fix your karma.
I'd love to work with Tarantino, Scorsese, Sofia Coppola - all of them! I love thrillers and action movies. I love good horror films. I watched them so much when I was younger that I find it impossible to get scared.
"Lost in Translation" by Sofia Coppola. It's a masterpiece. I laughed a lot but was also overwhelmed by the story - a rare combination.
I mean, it's amazing that I get to meet all these people. I've learned so much from all of them. I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.
Honestly, this will never happen because she's so much classier than me, but I would love to work with Sofia Coppola.
I think something that is never really spoken about is the learning process of making records - I made my first record at twenty one and learned so much about record making from that before making 'Bomb In A Birdcage' a couple of years later.
Maggie Gyllenhaal, Chelsea Handler, Tilda Swinton, and Sofia Coppola are other clients. They're all risk takers but never look like they're in costume.
I'm a product of older filmmakers I guess, the past where you get to make movies and scenes are what they are. You know if you think about Scorsese back in the day when he was making Taxi Driver, or Coppola or Frankenheimer, Sidney Lumet, they're making films where you witness violence in a real way.
For me, I am a huge fan of Sofia Coppola and Lynn Shelton. I love Lena Dunham, like everybody else. I love Kathryn Bigelow.
I always look at my favourite photographs or favourite movies by James Bidgood or Sofia Coppola before I write my songs - they put me in the right frame of mind.
You can really have a no-holds-barred relationship to materials with mixed metals and colorful schemes or more controlled palettes that are more tonal or restricted to a single accent color or metal finish. There are really no rules, and that is what makes contemporary design so limitless and enjoyable.
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