A Quote by Charli XCX

From the moment I stepped into this industry, I've always had to fight for my ideas and for my voice to be heard. — © Charli XCX
From the moment I stepped into this industry, I've always had to fight for my ideas and for my voice to be heard.
I just wanted to sing, to get my voice heard. I knew I had to do everything possible to stay in the industry.
I grew up in a very loud family where you had to fight to get your voice heard, in a good way.
My music is not always about getting my ideas heard, it's about letting other people feel empowered to have their ideas heard by example.
I'll tell you, I've seen the lightning flash. I've heard the thunder roll. I felt sin-breakers dashing, trying to conquer my soul. But I heard the voice of Jesus saying still to fight on.
I very happily stand for the right of every man and woman in Pennsylvania to have their voice heard in elections. And when they do have their voice heard, it's nothing short of a privilege to welcome and respect that voice because this is a democracy, and that's what we do.
Nowadays, people in the entertainment industry can have a louder voice than politicians, and I think its important that they use that voice to say something positive or to give a voice to somebody thats had theirs taken away.
Nowadays, people in the entertainment industry can have a louder voice than politicians, and I think it's important that they use that voice to say something positive or to give a voice to somebody that's had theirs taken away.
You have to fight. You know, you don't want to fight, but you have to fight to make your show your own, to make your voice be heard. You just have to sometimes.
I've always kind of just had a big personality and a voice that I wanted heard.
So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.
I'm super and very openly obsessed with voice-over. 'In a World...' was my love letter to the industry of voice-over. And in a way, I sometimes think of it as a 93-minute audition to the voice-over industry to say, 'Hey. Consider me!'
I was journaling in Florence, and I was like, 'Oh, I have to come out of the closet. I have to break up with this guy' - he was my 'roommate.' So that was my awakening moment, when I stepped into my own skin while in a foreign country by myself and had a very stereotypical moment of revelation.
Two years after drama school, I had a nervous breakdown: I heard voices, and the voice I heard in my head was Martin Luther King's.
We've always had the blame-America crowd. We've always had the hate-America crowd. But we've now had at least two generations of education where this has been indoctrinated into the young skulls full of mush of young people. They've heard how horrible America was back in the days of slavery. They've heard how horrible America treated women. They've heard how horrible every minority group was treated. They've heard how mean-spirited the founders were. They've heard all kinds of literal lies.
I used to go into rooms of older executives and try to pitch talk show ideas and when I was writing as a journalist I would pitch ideas for my articles and I definitely understand that excitement of a pitch and what that is to be young and a woman and trying to make your voice heard.
All my life I had to fight. I had to fight my daddy. I had to fight my uncles. I had to fight my brothers. Girl, child ain't safe in a family of men, but I ain't never thought I had to fight in my own house. I loves Harpo. God knows I do. But I'll kill him dead before I let him beat me.
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