A Quote by Charli XCX

My voice is different, but I don't think I'm the only one with a different take on pop music. — © Charli XCX
My voice is different, but I don't think I'm the only one with a different take on pop music.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
I give myself different roles. I think in different ways on different days. Sometimes I think of it as cooking - different flavors and different ingredients. Sometimes I think of it like orchestrating a piece of music with all the different instruments.
Along the way, I've had different advice from different music producers. I've been told to tone it down, that the quiet parts of my voice are appealing and there's harshness to the loud part of my voice.
God is infinitely creative, and everyone's different, and everyone has a different path, a different lesson, a different song, a different face, a different voice.
Even though I have a huge love for alternative music and punk music, particularly, I have always had the love for pop music inside of me. Therefore actually it felt kind of natural for me to have different projects with different genres.
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
Like, I'm trying to make a statement that clean comedy is somehow better or loftier than dirty comedy, and I don't feel that way at all. I just think it's different. It's different. There's rock music, there's jazz music, there's reggae music: All of those forms are different.
I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?
Pop music has progressed. The singing voice has changed dramatically in pop music, and people now just sing the way they want to, in their speaking voice, instead of putting on some great transatlantic rock and roll sneer.
Even though there are so many different 'kinds' of music - different textures, different timbres, different attitudes - there is something divine at the core of all music.
There are a lot of influences from different countries in my music. For example, I chose the guitar in my music, I think that it is a feminine instrument, so when I do not sing, the music expresses my voice.
What's good is that my music is different from everyone else's. It's got the soul element, like Duffy, but it's not very retro. It's a contemporary, pop, fresh sound. That's what makes it different.
I think that, for so long, there was only one type of actor, and now you see these different colors, different people, different shapes and different sizes. It just makes it more interesting.
There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.
I'm just experimenting with every different type of music you can imagine and seeing where my voice lies and what sounds best. I think when I do finally do the album it will be very eclectic - just loads of different stuff on it. That's what I am hoping.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
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