A Quote by Charli XCX
Obviously, my label would want me to be on the radio all the time, but that's not my personal goal.
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I'm a free agent. I want the major-label budget for my next album, but I'm too big for the label to pay me. I don't want to be controlled, to be watered-down. Labels were always asking me to do this or do that, saying that I was lacking something. And every time, I did it the next year. Singles? Radio spins? I showed 'em.
I've been working in music since I was a little kid. I would do background singing in my dad's studio all the time when I was a kid. I went to label meetings when I was pretty young, and obviously my goal was, like, 'No, we're gonna hold off.'
Obviously, I couldn't imagine that my career would go so well. When I first started, I wanted to play out of goal. But there was no goalkeeper, and the coach put me in goal.
The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I have always said that I want to finish my career with the Dolphins and this put me closer to that goal. I have been fortunate to break many personal records, but my overiding goal is to win a Super Bowl here in Miami.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
My ultimate goal was always that I want to be known as one of the greatest of all time. The first step was obviously to be UFC champion.
I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
Obviously I want my music on the radio and I want my record to do well, but I also have a totally different career, so a lot of people who are in music are just in music and can dedicate all their time to that and I can't do that, so I really want to have both things and I'm just trying to figure out how.
When I was at Capitol - and this was not Capitol's fault - I was aiming, you know. I would listen to country radio and go, 'What version of me does radio want?'
Everything keeps changing. People want to label things all the time and once you label it, it changes again.
My goal the whole time has been for people to see me as a stand-alone artist. I came out with Young Money, the biggest hip-hop label in the world at the time. And then it was, 'How do I branch away from Lil Wayne?'
Obviously this all-time leading scorer thing I knew was out there and I thought, 'Man, if I stay healthy, I would like to reach that goal.'
I'm not making fun of it because I want to make fun of it. I'm making fun of it so I feel better. I don't want people to think any time there's a tragedy that I'm going to make a joke about it. It's only funny to me because it's personal to me. And that was always the goal. It wasn't to be this insult person.
I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.
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