A Quote by Charli XCX

'True Romance' was definitely, in part, still me finding my voice as a writer. I was nervous, and I was a lot more shy. The album sounds bruised. — © Charli XCX
'True Romance' was definitely, in part, still me finding my voice as a writer. I was nervous, and I was a lot more shy. The album sounds bruised.
With my trumpet voice, I love gritty, plunger, growly sounds. But vocally, I love Anita O'Day - a raspier but definitely softer sound. Part of the fun has been finding vehicles or writing for both of those sounds.
I got to a happier point and then started making a record [Wild Things]. I don't mind at all that it sounds like LA, because LA was integral to me feeling better. Seeing the sunshine and all that other sorts of stuff was definitely a huge part in why the album sounds like it sounds.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
My first album was me finding myself and my voice, finding how I sing. I was rolling with the punches because everything was new to me.
Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'
Black Widow' is definitely the darker part of me. This album is about finding the weakness inside and turning it into strength. It's about being reborn, setting yourself free and realizing the balance in everything - the dark and the light.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
I can't seem to help writing love stories. I definitely crave romance. When I was young, I craved romance in books, but I didn't want to read just romance - love plays such a big part in our lives, it shouldn't be cut out and restricted to its own fiction.
Annabeth's voice caught on the word friend. Percy was a lot more than that. Even boyfriend really didn't cover it. They'd been through so much together, at this point Percy was part of her--a sometimes annoying part, sure, but definitely a part she could not live without.
The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.
I'm listening to a lot of Drake, and a lot of Frank Sinatra just because it's his centennial also. I'm going to be doing some tributes to him this year. I love that Beck album. It was funny to me because my two favorite albums of the year were definitely the Beyonce album and the Beck album.
My album focuses on unrequited love quite a lot because I don't think it's spoken about enough in music. I've been through it myself and I found it hard to find songs that were about that, so I've definitely tried to make that a part of my album.
When I was little, I was very loud and loved performing in front of people. I was fearless. When I hit puberty, I became very shy and self-conscious. I still get nervous sometimes before shooting and definitely before big auditions.
I'm a late bloomer. It's taken me a long time to find my voice, and I think all the records I've made over the years, I was finding my voice, and that's part of the process.
I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.
This site uses cookies to ensure you get the best experience. More info...
Got it!