A Quote by Charlie Benante

Exactly you had to dress in flannel, and if you were a grunge band, before the grunge thing took off and you said you were METAL. — © Charlie Benante
Exactly you had to dress in flannel, and if you were a grunge band, before the grunge thing took off and you said you were METAL.
The word ‘grunge’ became a household term, and fashion runways were filled with flannel shirts and long underwear. Oh, how we laughed… Every now and then when I’m feeling a little nostalgic, I put on my ‘grunge tuxedo’ - flannel shirt, long shorts with long underwear underneath them, and a pair of Doc Martens - and dance around the house to Tad records.
With Pantera, we lived through so many trend-of-the-day situations - when grunge was huge, we were still a heavy metal band; when hip-hop started getting incorporated into metal, we stuck to our guns and remained a heavy metal band very purposefully.
Grunge was so self-consciously lowbrow and nonaspirational that it seemed, at first, impervious to the hype and glamour normally applied swiftly to any emerging trend. But sure enough, grunge anthems found their way onto the soundtracks of television commercials, and Dodge Neons were hawked by kids in flannel shirts saying, 'Whatever.'
We [No Doubt] were making music that was the opposite of grunge and what was popular on the radio, and we were fine with that. And for a garage band, we were massive! We were already successful in our own minds.
As far as the grunge thing, there are three bands from Seattle that I would call true grunge.
We were perceived as a post-grunge band.
I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.
When you're in a band - before it got to grunge - you dressed the bit. So yeah, I've always had an attitude with the clothes.
It's like, what happened, I was always leading fashion, and then the grunge thing kind of came along. And because I've been so on top in the '80s you know, I, you know, what can I do? Suddenly go grunge?
I agree with you about the music of today. It lacks style and emotion. I can't relate to it either, as for grunge music, well that was the death kneel for a lot of the glam metal hair bands of the 80's, so I really do not care for grunge. I miss the 80's as well, it was a truly great decade for music.
My first band was called Nubert Circus, a very embarrassing, dumb name. It means nothing. We were kind of grunge. I would say we were more funny punk, a lot of songs about food and stuff like that.
I went to stand-up when my rock n' roll dreams weren't coming true. I knew it wasn't going to happen when I was in a New Wave band in 1992 - at the height of grunge. Then I heard No Doubt's 'Spiderwebs' and I said, 'Well, we're done.' They did - and succeeded at - what we were trying to do.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
What was interesting about grunge was that it was this death sentence to the rock that had preceded it, which was hair metal.
No band on 21st-century radio has mined pre-grunge hair-metal's sleaze like L.A.'s Buckcherry. So it makes poetic sense that they'd spend their sixth album tallying all seven deadly sins.
Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.
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