A Quote by Charlie Benante
The Bring the Noise buzz was so strong, so we put it out on a release called 'Attack of the Killer B's' which was a record made up of B-sides and things like that - so it wasn't out on our new album, you know what I mean? But we always felt strongly about it.
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In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
Sometimes, you release an album and the record company just about ignores it, and so many people don't even know it's out. And I'm not about to jump up and down shouting, "Hey folks, look at me! I'm cool and groovy!" That's not what George Harrison is all about.
Recently, I've been working on anew album of material, which should be out in the new Millennium. I'm not sure which song will be put out as a single, but I'm still hoping to get another record in the charts.
I put out this record on Ninja Tune called 'Florida' when I was about 22. And at the same time, I was DJ'ing and beginning to mix stuff up and promote shows in Philadelphia and New York and my own parties and make mixtapes, put out bootleg white labels.
I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?
You can only release music so often. You have albums and the whole cycles and everything like that, so covers are a great way to release music and new things before the next album comes out.
Social media buzz can lead to huge successes when people spread the word about something they love and want to share. But authors creating their own buzz? Making their own noise? It's hard to make a lot of noise on our own about our own work. Except, sadly, negative noise.
[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.
I don't know about immortal, but I must say that to me to touch more women and to have them understand friendships is important. I've had girls come up to me who said, "Yeah, after I saw 'Beaches' I called up my friend Denise who I was really mad at. She got me so aggravated and I called her and we made up." So if I could do that with this new release, yes, that would be very pleasing to me because, hey, it's a tough world. You need friends out there.
Anybody can have a great album in themselves but it's not until you bring it out and put it into tangible form and creating it and working on it in the studio that all of that comes to life you know what I mean?
We are all one, I mean communication, just the realisation of human love reciprocated, it's such a gas, it's a good vibration which makes you feel good. These vibrations that you get through Yoga, Cosmic chants and things like that. I mean it's such a buzz, it buzzes you out of everywhere. It's nothing to do with pills or anything like that. It's just in your own head, the realisation, it's such a buzz, it buzzes you right into the astral plane.
Some of the albums I like best in the whole world are considered psychedelic albums. A psychedelic album is an album that when you put it on, if you listen to both sides, when it's over, your perceptions have been changed and I think that our record can do that.
I feel less and less like that every year, and I guess maybe even more so with every new record that I put out. I just think, as the years go by, it's harder and harder to really find a reason to be annoyed that you made something that people want to continuously talk about. Certainly there are contexts in which the record can be discussed which will get me on the defensive and make me want to put some kind of calibration or some kind of context on what the record means in relation to my career as a whole.
I've always felt like I was observing everything, like I'm just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
I definitely want to put out and album, kind of like a Kelly Clarkson vibe: a soulful voice with a pop rock background. I think it's something that I've always loved and always loved to perform. So that's the kind of album that I'd like to put out.
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