A Quote by Charlie Bewley

I don't really read too much. It really is counter to my energy. I can't sit down and concentrate on words. — © Charlie Bewley
I don't really read too much. It really is counter to my energy. I can't sit down and concentrate on words.
Too many of us are hung up on what we don't have, can't have, or won't ever have. We spend too much energy being down, when we could use that same energy – if not less of it – doing, or at least trying to do, some of the things we really want to do.
More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic.
When I sit down to write a book, I do not know where the energy and the words come from. I just sit down, and soon it is flowing through my hand and onto the paper.
Yeah, if you go too far, like there's some rappers that use words that just be a little too out there, it makes it where someone doesn't really know what you're talking about and don't really have the time to sit and try to understand.
I don't want to give the impression that I'm a great Bible reader. I don't sit down every day and read for an hour through the Bible. But I really do read it with a great deal of pleasure... which is the last thing I would have suspected. So I read it sometimes as a devotional, but really more, not for fun, but because it's fascinating.
Sometimes when you write something, you have that day when you start writing and you feel really good, and you start changing it. At the end, it lost the essence. It lost the first idea, the energy that it had, it's going down after every change. And at the end it's something soft and too much rewritten or too much rebuilt that doesn't have the same energy as the beginning. So, I like the first takes because of that, you know. It has that first energy that sometimes it's difficult to recreate.
Think about the way you go surfing on the Internet - you go from one thing to another. You can't really concentrate. I can't sit and read 10 pages on my computer. You'll read and then all of a sudden part of your brain is like, "What about that? ...You're not reading the whole book. You're reading fragments. Even though I think it's bad, I think it's interesting too, because that's the way my brain works.
As soon as I sat down to write music, really, with Café Blue. I just can't think about that when I sit down to write. I don't let myself. I actually don't allow myself to look at sales figures. Ever. I get the general impression that I'm not selling like Norah Jones, but I don't really pay too much attention, because I think it would corrupt me.
The thing is, I really like working. If I sit around too much, I get really bad anxiety.
I'm definitely using different parts of myself, but I think when it comes down to words and melodies, I can't really force anything too much.
Being so pathetic, I don't read. I just ... do things - writing out interviews you can't read, on pictures of footprints and things like that. I kind of like the idea of nailing the thing down and not really showing too much about it. There's just so much you can take for collage nowadays.
I'm really shy, man. I don't really talk much. I just read, sit in my room and just read graphic novels because I don't have many friends and many people that like to talk to me.
I became much more interested in plot when I really didn't consider myself a writer anymore. When I was in an art context and I started to do installations, that was when writing of mine almost returned to fiction. Earlier I felt like I didn't have anything to write about, I could only concentrate on the page, I could only concentrate on words.
I'm a huge fan of voice memos. I put down many ideas there and sometimes I even use some of those audio files in my actual recordings. You get this really raw energy from voice memos that you can't get when you sit down in a studio with a microphone. There's this sense of immediacy, which I'm really drawn to.
How can music without any words make you think? I listen to jazz when I'm doing something else. I use it for background music, I don't just sit down and concentrate on it. Lyrics, words - that's what makes me think.
If I can sit down at my keyboard and have a melody that says something that I can't with words, that's a really beautiful thing.
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