A Quote by Charlie Brooker
[The rumor that David Cameron maybe once did this unspeakable thing with a pig's head] it was freakish and weird. It seemed such a coincidence that I couldn't quite process it. And then, as it sank in, I genuinely had the thought, "Am I living in a Truman Show sort of VR simulation designed to send me insane?"
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Jeron Lanier and 'Lawnmower Man.' That was VR. And there was the VFX1, that big giant VR prototype unit, and I was like, 'I am going to save my money and get one of those.' And then VR just sort of drifted away.
David Cameron has given one of my paintings to President Obama. It's quite mad, really. But it's OK. It's not the kind of recognition I seek or get every day, but Cameron seems quite a positive kind of guy and Obama's a dude. I would probably have had issues if it had been for Bush.
Then, at age 20, I discovered theater sort of by accident. Quite quickly, theater became more important to me than music. I began to realize that maybe my talents as a musician were quite limited, or had a ceiling to them, whereas acting seemed to sort of stretch before me. I got very passionate about it very quickly.
I like David Cameron. He has had a couple of rough statements, but that's okay, I think David Cameron's a good man.
I'm a huge gamer. I'm very excited, and the idea of the Rift was as a headset that was designed around the specific uses of VR gaming. But I'm excited about a lot of stuff that's outside of it, because I was a VR enthusiast. I want VR to be the thing that we all live in, that we all use for everything, not just games.
David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.
Chris [ Nolan] and I have a strange way of working from the non-movie process, where after all these conversations and reading the script and more conversations, Chris went out and shot the films and the first thing he did, he wouldn't show it to me until I had written the music - not out of meanness, or anything, it just sort of seemed an interesting idea to see if there was some synchronicity and letting me use my imagination to the fullest instead of being constricted by cuts and images.
I actually went to Wimbledon, and David Attenborough was sat in the row in front of me, and I thought that was quite amazing. That's insane, isn't it? He's, like, a proper person.
I believe I am becoming pathetic. I'll go further, I believe that I am in love with a flower-growing, wood-carving quarryman/carpenter/pig farmer. In fact, I know I am. Perhaps tomorrow I will become entirely miserable at the thought that he doesn't love me back - may, even, care for Remy- but at this precise moment I am succumbing to euphoria. My head and stomach feel quite odd.
He kind of makes me ill, David Cameron. I liked the old-fashioned Tory - like Winston Churchill, who had style. But Cameron's like a new breed - computer-generated. I hate it.
I never really have to sit at a desk thinking, "What should I do now?" It doesn't work like that for me, and it never has. My thinking process is constant. The difference is that once I was in Antwerp only doing two men's shows a year. And the weird thing is I thought I was busy then.
I also learned to play Fruit Ninja on an iPad. It is quite hypnotic, and I hope one day to get past 100 points. I remembered that David Cameron admits to being an addict. I wonder if it helps him in his work. 'Great, just destroyed a pineapple! Reminds me, shall we send those grenades to the Syrian rebels?'
I did a weird thing when I was about 24. For four years I had written quite a lot of poetry, and I started reading through it and thought some of it was really good. So I burnt it all.
The most tragic moment of my life was the first show I ever designed for. I had been asked to make shoes for Ossie Clark's show in the early '70s. I was so inexperienced that I didn't put the steel in the heels of the shoes, which is required to support the shoe and the wearer. So the girls came out walking very strangely in these rubber, bendy high-heeled shoes I had made. I thought 'Oh dear god! This is the end of me.' But after the show, even David Hockney and Cecil Beaton said to me 'It was so interesting that the girls were moving in such a different way.'
I am a fan of all of the same shows that David just listed. And then I also have a weird obsession with Court TV, which is now truTV - I don't know if you know that. Yeah they changed names. I don't know why they did that but they did. It was a little disconcerting to me at first. But I've gotten over it.
As I was getting into the helicopter, a slightly nervous actor said to me, "Whatever you do, don't say to the helicopter pilot, 'Show me what this baby can do.'" So I of course, got into it and said, "Show me what this baby can do." And we just had this insane helicopter ride. It's the sort of thing you only get to do on movie sets. I'm so lucky to have done it and have that chance.
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