A Quote by Charlie Brooker

At the other end of the spectrum, George Gideon Oliver King Rameses Osborne, the fourteen-year-old novelty Chancellor and future baronet of Ballentaylor and Ballylemon - a man so posh he probably weeps champagne.
What is even more worrying still is George Osborne's breathtakingly complacent response to today's figures. This is a Chancellor who is in total denial.
I hold no candle for George Osborne whatsoever. He has no strategic skills, is a hopeless chancellor, has no idea how most people have to live and his policies are failing and hurting millions.
Fourteen-year-old, why must you giggle and dote, Fourteen-year-old, why are you such a goat? I'm fourteen years old, that is the reason, I giggle and dote in season.
It was the 60th anniversary of 'Face the Nation.' During his interview, President Obama said, 'Our country doesn't fear the future. We grab it.' Nothing says you grab the future like going on a 60-year-old show hosted by a 77-year-old-man to speak to a 90-year-old audience.
Autism's a very big spectrum. At one end of the spectrum, Einstein would probably be labeled autistic, Steve Jobs, half of Silicon Valley, you know, Van Gogh. And at the other end of the spectrum, you got much more severe handicaps where they never learn to speak.
Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.
Tell her this And more,— That the king of the seas Weeps too, old, helpless man. The bustling fates Heap his hands with corpses Until he stands like a child With surplus of toys.
There's still this idea that women are over by the time they are 40, so that they can't play the love interest opposite a 50-year-old man. George Clooney is 52, but he's always on the arm of a thirt-something actress. He gets Vera Farmiga. You don't get a 50-year-old woman on the arm of a 30-year-old guy.
For much of the twentieth century, 1984 was a year that belonged to the future - a strange, gray future at that. Then it slid painlessly into the past, like any other year. Big Brother arrived and settled in, though not at all in the way George Orwell had imagined.
A man sentenced to death obtained a reprieve by assuring the king he would teach his majesty's horse to fly within the year - on the condition that if he didn't succeed, he would be put to death at the end of the year. "Within a year," the man explained later, "the king may die, or I may die, or the horse may die. Furthermore, in a year, who knows? Maybe the horse will learn to fly." My philosophy is like that man's. I take the long-range view.
What's the difference between a bright, inquisitive five-year-old, and a dull, stupid nineteen-year-old? Fourteen years of the British educational system.
Champagne Jerry records are definitely, in one way, on the very far end of the weird spectrum of rap music, then, in another way, very far on the weird punk spectrum.
How old are you? Twelve?" "Fourteen & three quarters." His eyes sparkled. "You're kind of little for fourteen and three quarters." "Am not," I replied indignantly. "I'm a sophomore this year. How old are you?" "Seventeen and two fifths." Hardy Cateses & Liberty Jones.
It would be the death of all creativity for me if I had to sit there and be concerned with the sensibilities of a fourteen-year-old kid. Some fourteen-year-olds would revel in the book, and some would be very sensitive to it, so you can't afford to worry about that. What I worry about is good taste and getting my message across by whatever means I can.
I love to watch those old movies on late-night television, particularly when a couple get up from a champagne dinner in a posh restaurant and the hero hands the waiter $3. But the best part is when he says, "Keep the change."
I don't think old posh is as intimidating as new posh, is it?
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