A Quote by Charlie Brooker

If love were a product, the queue at the faulty goods desk would stretch right round the universe and back. It doesn't work properly. The seams come apart and it's full of powdered glass.
You can't reinvent the wheel. I remember when we first started out at 'Late Night,' we were trying to hire directors, and this guy was like, 'I see you behind a glass desk.' I don't. And he's like, 'Yeah, the glass desk.' I go, 'I don't really see me as a glass desk guy.'
Each individual cat got up and did his thing. It wasn't like today where they come down and put down some nice linoleum so you don't get burnt up. I mean, we used to b-boy right in the middle of the park with broken glass everywhere! And you'd get up and you'd be all scratched and burised and bleeding and you would be ready to go right back in the circle. You'd just wipe the glass off your elbows and go right back in.
Every now and then life sold you an illusion of design. A coincidence, a parallel, a sledgehammer symbol. The goods were always faulty. You forked over the cash only to discover they'd fallen apart by the time you got home. But life kept at it. Life couldn't help it. Life was a compulsive salesman.
What I envisioned back in the 1970s was this thing you would wear as 'glass' over your right eye, and you could see the world though that glass. The glass then reconfigures the things you see.
Come out into the Universe of Light. Everything in the Universe is Yours, stretch out your arms and Embrace it with Love
The days and nights come apart. I feel them corroding at the seams.
I used to work full time in an office, hiding away in my desk. Now, I have the opportunity to do something I love. And every day is a dream come true for me. I'm just generally grateful for all the love and support, and I will continue to give my 101 percent.
I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.
You have to age gracefully. And that's what I love about Keith Richards. That's what I love about the Rolling Stones. They are aging gracefully. They are falling apart at the seams right before our eyes, and they are doing it gracefully. And that's the most beautiful thing that we can do.
There are, it has been said, two types of people in the world. There are those who, when presented with a glass that is exactly half full, say: this glass is half full. And then there are those who say: this glass is half empty. The world belongs, however, to those who can look at the glass and say: What's up with this glass? Excuse me? Excuse me? This is my glass? I don't think so. My glass was full! And it was a bigger glass! Who's been pinching my beer?
If it were true that men could achieve their good by means of turning some men into sacrificial animals, and ... if I were asked to serve the interests of society apart from, above and against my own I would refuse... I would fight in the full confidence of the justice of my battle and of a living being's right to exist.
And at the other end of the bar the world is full of the other type of person, who has a broken glass, or a glass that has been carelessly knocked over (usually by one of the people calling for a larger glass) or who had no glass at all, because he was at the back of the crowd and had failed to catch the barman's eye.
I love to think of the whole universe together as one eternal fact. I love to think that everything is alive; that crystallization is itself a step toward joy. I love to think that when a bud bursts into blossom: it feels a thrill. I love to have the universe full of feeling and full of joy, and not full of simple dead, inert matter, managed by an old bachelor for all eternity.
I'm a child of the sixties, I'm a man of the sixties. During that period of time this country was coming apart at the seams. We were in Southeast Asia. Good men were dying for America and for the Constitution.
I would love to shoot in San Francisco permanently. It would be such a joy to come back home full circle.
I never before knew the full value of trees....What would I not give that the trees planted nearest round the house at Monticello were full grown.
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