The hardest part is not to repeat yourself. I don't really believe my core obsessions are going to change, but you need to look for ways to express them that are different. The main reason for doing that is not to bore yourself, and obviously, I don't want to bore readers.
I've found that doing interviews forces you to face yourself; I'm constantly having to search within myself, to see why I do certain things.
Have you ever hung a piece of black velvet behind you and looked at yourself in the mirror? We are each of us quite alone, and that's what I try to paint.
Let somebody insult you and see that that you do not answer back. Just see it, not to get into temper. Try that your ego doesn't react. That can be achieved very easily if you try in the mirror, look at yourself and laugh at yourself, make fun of yourself.
You have no choice as a professional chef: you have to repeat, repeat, repeat, repeat until it becomes part of yourself. I certainly don't cook the same way I did 40 years ago, but the technique remains. And that's what the student needs to learn: the technique.
You can never evaluate anything standing from outside; you have to evaluate yourself first.
Don't evaluate yourself, don't evaluate others. Just keep going after it.
You have to close quickly, you have to eliminate time and space and you have to try to deny them the puck. When you're playing with it, it forces them out of their rhythm and forces them to play defense, which they obviously don't want to do.
Most people who are on the road are pretty damaged. It's an escapist's life. It's not a life that forces you to look in the mirror at where you're at and what you're doing. It's one where you leave the mirror behind. I think that appeals to something in all of us. On the open road, all of your regrets are out the window.
If you got it, ask yourself why and try to repeat the action. If you failed, ask yourself why and try to learn from the experience.
I try not to repeat a story. I try not to repeat an emotion. I want it to be all sort of new for the viewers and to challenge myself as a writer, so there's always pressure. What else can you come up with?
To me, the big thing in being a successful team is repetition of what you're doing, either by word of mouth, blackboard, or specifically by work on the field. You repeat, repeat, repeat as a unit.
One of the privileges of doing television is the ability to evaluate my own performance and try to improve upon it.
The best change you can make is to hold up a mirror so that people can look into it and change themselves. That's the only way a person can be changed." By looking into yourself," Zia said. "Even if you have to look into a mirror that's outside yourself to do it." "And you know," Maida added. "That mirror can be a story you hear, or just someone else's eyes. Anything that reflects back so you can see yourself in it.
I just try to look into the mirror, and work on the things that I wasn't doing, and I made a promise to myself that after the season, I will look at the same mirror, and say that you did everything you could
It's rare for artists to really stare deeply at themselves in the mirror, literally, because there's constantly a mirror on you. But figuratively speaking, I'm really into growth, so when I look in the mirror, I see somebody who's just trying to get better everyday.