A Quote by Charlie Brooker
On 'Black Mirror,' we don't tend to deal with big, powerful people, because when you look at a Weinstein or something, you think, 'Is he capable of feeling anything?'
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Education is the thing. This black-white bit - I don't deal with people that way. I deal with it as if you are another individual. If you do something that perturbs me or aggravates me, I do not think you've done it because I'm black.
I don't know if it's more acceptable or if black men are more comfortable. Black men certainly are more comfortable with it. I don't know that society, like white society loves it or black women. When you see a black man with a white woman there is a feeling that you have and I think the feeling is an instinctual feeling of you want her you don't want me. I don't look anything like her, so you don't like. You know what I mean? Something like that. It's a real instinctual primal thing.
I think that when you start rolling with an entourage, you attract attention, and you tend to create this whole big thing. My mom taught me that when you keep a low profile, most people tend to totally miss you because they're not expecting anything.
Music documentaries are hard to tell, but I think they're an amazing vehicle to look at racism, our attitude to sex, the way we judge drugs. There's the ability to get a big audience because of these incredible, iconic, charismatic people. You can look at a number of issues - the challenge is to make sure you choose something that has all those issues. Popular music is like a mirror of culture, of who we are.
I'm trying to think overall. Some of our stories [Black Mirror], I think you're right in that they don't tend to have a message.
Don't you think it's something strange that you rarely look at yourself in the mirror, except to do things like stand and ponder? I mean, in Shakespeare's day, it was thought that the mirror would reveal something, that it is trying to tell you something - not just to tidy your hair, but something more.
Self-esteem is made up primarily of two things: feeling lovable and feeling capable. Lovable means I feel people want to be with me. They invite me to parties; they affirm I have the qualities necessary to be included. Feeling capable is knowing that I can produce a result. It's knowing I can handle anything that life hands me.
If you look back at yesterday and think it was a big deal, then you haven't done anything today.
My drive to put myself on the line comes from boredom. From that feeling when you go to bed and think, 'What did I do today?' It doesn't have to be something monumental, just a feeling that you really tried to look at something, or look into something.
I want to burn as a beacon of possibility. I don't want nobody to misconstrue the commercial success I've had as anything other than an example of what black music is capable of. And what it's capable of is being more than just black. I'm not black or white anymore. I'm Cee Lo Green.
Unfortunately, as I tell my white friends, we, as black people, we're never going to be successful - not because of you white people but because of other black people. When you're black, you have to deal with so much crap in your life from other black people.
It sounds so cheesy, but there's something very powerful about looking in the mirror and asking yourself a question. Because I think it's really hard to lie.
The best change you can make is to hold up a mirror so that people can look into it and change themselves. That's the only way a person can be changed." By looking into yourself," Zia said. "Even if you have to look into a mirror that's outside yourself to do it." "And you know," Maida added. "That mirror can be a story you hear, or just someone else's eyes. Anything that reflects back so you can see yourself in it.
I'm 24. I think when I was 18, 19, I had a problem with it because I wanted to look older and more womanly. I look in the mirror and I don't feel or look 14 to myself, regardless of what other people think. I'm fine with it and it really doesn't matter what age I'm playing.
I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
I think, in general, this country makes a huge deal about nudity and not a big enough deal about violence. We're allowed to cut people's heads off on shows - but not allowed to show breasts or somebody breastfeeding or whatever. I think it's a big deal in America especially. But I think to each is own.
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