A Quote by Charlie Brooker

With 'Hang the DJ,' I was concerned that it was more comedic and much lighter than we normally do for 'Black Mirror.' — © Charlie Brooker
With 'Hang the DJ,' I was concerned that it was more comedic and much lighter than we normally do for 'Black Mirror.'
I DJ all the time, as much as I possibly can. I'll never stop. That's my security blanket, that's what I'm good at. I still consider myself a better DJ than a singer. I can DJ in my sleep.
The demonizing of black identity is much more of a global phenomenon than many would like to admit. I've traveled abroad extensively, and it's hard to ignore the subordination of darker peoples to lighter peoples the world around.
I project stronger. If you notice the old records - they're much lighter - vocally much lighter in sound than the records that I'm doing today.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts.
A lot of times, comedic actors are discriminated against. People just assume they can't do something other than what they do, rather than thinking, 'Oh, wait - doing what they do normally is really hard.'
Light-skinned black people are seen to be closer to white people. The allegiance to lighter-skinned people has operated in a very destructive way that we have internalized ourselves inside black communities. You look at many of the prominent black people in this society who have been able to do well. Many have been lighter-skinned.
The 'Mahabharata' is a more complex and longer saga than the 'Ramayana,' which is like a fairy tale. It's much lighter and more fun, and at its heart, there's a cracking love story.
Sometimes among our more sophisticated, self-styled intellectuals--and I say self-styled advisedly; the real intellectual I am notsure would ever feel this way--some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.
Overall, looking at the stories [Black Mirror], almost every story we've ever done is concerned with authenticity or reality in some way.
If you play comedic scenes like they're really serious, then it's so much more funny than if you're going for a laugh.
I thought that, as a black audience member, I would like to see something that reflected an experience that's not normally exhibited in documentaries, or is so much about black people as victims in this country, and black people not taking control of their own lives and their own destinies.
More often than not, we think of ourselves as black, white, Asian, or Hispanic pretty much in this country, but the real America is much more than that.
And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
Prison officials have been more concerned about sparing the sensitivities of executioners and witnesses than protecting the condemned prisoner from pain. They are more concerned with appearances than with the reality.
Unfortunately many young writers are more concerned with fame than with their own work... It's much more important to write than to be written about.
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