A Quote by Charlie Brooker
If you're living in a dystopia, you don't necessarily want to look at another one.
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When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
Dystopia is a very interesting setting. Whether it's '1984' or 'Fahrenheit 451'... Dystopia is a wonderfully cinematic setting.
We are living in dystopia, in a world that is dominated by technology and disconnect, alienation, loneliness, and dysfunction.
I don't necessarily look for what I respond to in a script. I look for things that scare me, and take that as an indication that I should probably do it. I don't want to be bored. I look for challenges. I look for a variety of different things because it's so easy to go the cliche route.
Living Things. The garden can be as unlimited a resource as you want it to be. It's an escape from everything if you just want a break. It is something to do with living things, not a static piece that you put there and look at but something that changes every day. You're committed to it. If you don't look after it, it dies on you. And if you do look after it, it will give you rewards - pleasure, and a feeling of achievement. There's a sense of responsibility developed in a garden.
I am no longer the left behind. I am the living. And I want everything this life has to offer. I stop for a second and look around at all the shops and stores and stalls. At all the people, going about their days, at all the moments they're living. This is what I want. I want to live every moment. I want to feel everything.
I don't want to say names, but there are certain companies I won't work with because of previous people they've worked with. I don't want to be put in the same category as another athlete that I don't necessarily think is a good role model.
I think it's important to have perspective and to look at what you don't necessarily want to see.
I'm sure there will come a time when I won't be able to, you know, walk around so easy sometimes, or it's just things that I don't necessarily want. I don't really necessarily want to be famous.
As beings who cannot know the outcome of any particular action, it is difficult for us to act in a way that will be necessarily beneficial to another, or necessarily detrimental.
Drag queens always base their personas on their favorite female icons. Mine was Barbie, who's not necessarily a human but is as iconic and beautiful as any woman. I started really pushing it because I hit a crossroads of, 'I don't want to look like a woman or a man. I want to look like a wind-up toy, a plaything manufactured in a factory.'
I grow green beans in my garden. The one thing I know about harvesting them is that you need to train your eyes to see the beans. At first it all looks like leaves, until you see one bean and then another and another. If you want clarity, too, you have to look hard. You have to look under things and look from different angles. You'll see what you need to when you do that. A hundred beans, suddenly.
I don't really know how many films I've done, and I don't look at this as a race that I necessarily want to win. Nor is it a race that I want to stop running.
I do not necessarily want to play for the best team in the world. I would prefer to win the Champions League with Dortmund than six with another club.
In some cases, I allow the edge of the set, the edge of my own artificial, artistic imposition, to show up because I don't want to hide from that. I want to acknowledge that there is a living human and a living eye and a living mind and a living heart responding to what's going on out there.
I feel like a celebrity is someone who sits and takes pictures with people 'cause they love themselves and how they look and how people look at them. But I just want to be regular and respected for my artistry because music doesn't necessarily have a face.
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