A Quote by Charlie Brooker

We don't sit down and look at the news pages and think, 'How could we do an episode about that?' — © Charlie Brooker
We don't sit down and look at the news pages and think, 'How could we do an episode about that?'
I think poems belong as much in the news pages as the literary pages. A lot of people throw aside the literary pages! Whereas everybody looks at the news section.
I'll think about something else. I'll just sit quietly. If I could sit still. If I could sit still, maybe I could read. Oh, all the books are about people who love each other, truly and sweetly. What do they want to write about that for? Don't they know it isn't true? Don't they know it's a lie, it's a God-damned lie? What do they have to tell about that for, when they know how it hurts?
The good news is that “The Hangover Part III” isn’t a rerun like the second episode. The bad news is everything else. For all the promise of mayhem and WTF moments, the final episode hits you with all the force of a warm can of O’Doul’s.
I think it's just about the machine is about reporting the news, and then reporting the news about the news, and then having those moments where they sit around and go, "Are we reporting the news correctly? I think we are." And then they go back to the and the cycle just sort of continues.
Two things happened. The creative side of my career was harmed. When I'd sit down and write under the influence of coke, the ratio of pages kept to pages thrown out declined drastically. But onstage, when rapping about a feeling I already owned, I would sometimes get a burst of eloquence.
I could literally go on for pages upon pages about Mattis and how influential this man was to me and many others who fought alongside him.
I finally get to the place where the book has matured in my mind and I can hardly wait to start writing it. Then I just sit down and I start. I hit the go button. I have an outline, which is 70 pages, but I don't look at it. I never have to look at it.
The nice thing about dogs is you can sit them down, you could have a nice long conversation, you could be cross, you could be sad, and they just sit looking at you wagging their tail!
I understand what's going on, and when I see the fervor, when I see 25,000 people that have seats and not one person during an hour speech will sit down, I say sit down everybody, sit down, and they don't sit down, I mean, that's a great compliment but I do understand the power of the message. There's no question about that.
There is a hideous invention called the Dewey Decimal System. And you have to look up your topic in books and newspapers. Pages upon pages upon pages…” Uncle Will frowned. “Didn’t they teach you how to go about research in that school of yours?” “No. But I can recite ‘The Battle Hymn of the Republic’ while making martinis.” “I weep for the future.” “There’s where the martinis come in.
I think a good story, well told is a good story, well told, whether you're watching the episodes all in a row or not. However, it might be fun to take a closer look at how the previous episode ends and how that end relates to the beginning of the next episode.
When historians write the last pages of their books, and the producers of history documentaries sit down to edit the final minutes of their programmes, there is often a strong urge to look to the future and emphasise the positive.
I just think it's quite remarkable that everyone says they want to add more commentary to their news pages. In some ways, I think, 'Well, how is that even possible?' It seems sometimes that that's all that there is.
I don't card out my screenplays ever. I just have an idea I just sit down and write I don't edit. Sometimes the first draft will come out at 200 pages. I think and think and I go, "um this story is about the brother that appears on page 178." I go back and I rewrite.
I think that we could be more careful about what we're saying to young women in terms of their expectations. It's unrealistic to expect people to always be in designer clothes. Girls growing up deserve more freedom in how they look and how they feel about how they look.
It wasn't until I could get out of Stanford that I could sit down and think about my life, to do the things that most kids do, which is to ask who am I, what do I want to be when I grow up. I never got to do Dan Pintauro.
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